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gravestrain · 1 day ago

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gave you too much but it wasn't enough (qh43)

In which you wonder if your relationship with Quinn might end in death by a thousand cuts.

This is my submission for the eras tour fic challenge hosted by @wyattjohnston and @comphy-and-cozy! I am thrilled to be a part of this event. I received DBATC, and if you know me you know any kind of angst is not my wheelhouse, but I was thrilled to get this challenge and try to create something angsty. It will never be unresolved in my world but hopefully this does the trick :) 2.5k words, fem reader, no warnings that I know of, not proofread.

When Quinn was named the captain of the Vancouver Canucks, you had never felt so proud.

Being with Quinn for two plus years at the time, you were over the moon to see the love of your life, your favorite person in the world, being given such an honor, an honor he worked so hard for, an honor you know he deserved. Quinn was one of the most dedicated people you've ever met. With that dedication of course, comes time. Quinn dedicated countless hours to improving his game, practicing with his teammates, working out in the gym, going on runs, anything he could do to be the best he could be, he was doing it.

Under the moonlight, as you and Quinn celebrated his accomplishment, he promised you that he wouldn't stray away. That his commitment to the team wouldn't outweigh his commitment to you. To being a loving partner. A companion. However, when you woke up, stretching your arm out to feel an empty bed yet again, despite knowing that it couldn't have been much past 7 am, you wondered what went wrong. What happened to cause those promises to crumble. His words to be empty, lifeless. Void of meaning. When did you and Quinn become a couple that told each other lies? Told each other things just because the other person wanted to hear them, not because they genuinely intended to fulfill them.

It was the start of Quinn's second season as the Canucks captain. At first, you thought it was too good to be true. Quinn was thriving in his new role, yet still being the perfect partner. Attentive and on time, compassionate and loving. Now, that version of Quinn is a distant memory, mocking you as you think of him.

It started after the holidays in Quinn's first season of being captain. You chalked it up to post holiday stress and all star weekend buzz, maybe even trade deadline drama. Then the all star game passed, and even the trade deadline. Shortly after you started blaming it on the playoff push, then the playoff loss. And now here you were in November, searching for answers, trying to figure out what happened to the love of your life who turned into a stranger right in front of your own eyes, with nothing you could do about it but watch it happen.

You got yourself ready for work, looking around in the bathroom, on the bedside table, and eventually the kitchen to see if maybe Quinn left you a note, a cup of coffee in your favorite travel mug, a bagel from your favorite bakery around the corner, a sign of his love, signs that he used to never leave the house without showing. Just as you thought, there was nothing. You couldn't even remember the last time you felt Quinn kiss your forehead before he left for God knows what. Another workout, another two mile run after the three miles he did on the treadmill, or locking himself in his office watching film.

Work came and went that day, taking the long way home, dreading going home to an empty house. You thought it would be worse trying to interact with the stranger you lived with, but the silence, the emptiness, the sterile, unwelcoming cold was always worse. You stared up at the traffic lights, wondering if others saw just how foolish you felt. Writing lines to a story that was long over. Grasping on to the book, hoping for a surprise ending, one that would make everything worth it.

To say you were surprised to see Quinn's Porsche in the driveway was an understatement. Usually on practice days he didn't get home until well after 6 pm. You unlocked the front door, not expecting much. Just because he was home, doesn't mean he wasn't locked up in his office, taking notes from last night's game. A game that you never bothered to go to anymore. You knew the other WAGs missed you, people speculated about your absence on the internet, always cruel and judgmental. You couldn't bring yourself to go. You had learned to despise hockey for taking Quinn from you.

You opened the door and were surprised to see Quinn in the kitchen, grabbing a snack. Quinn looked as surprised to see you as you were, almost like he didn't know where you were, or if he even remembered that you lived there. Quiet "hi's" were exchanged, Quinn leaving a soft kiss on your cheek then awkwardly brushing past you to go towards the fridge.

"I thought we could have chicken and pasta for dinner tonight. It sounded good on my way home, I hope that's okay," Quinn muttered out, but already getting a pot of water for pasta ready, as though it didn't matter what you truly wanted. "That's okay," you offered back. "I'm gonna go sit down and read my book. If you need me, just holler." You offered and Quinn gave a nod in response. You wanted to grunt and groan under your breath. How could this be okay with him? It was as though you didn't know him, despite him knowing everything about you.

You tried to distract yourself with your book, but frustrated tears welled up in your eyes. You wiped them away aggressively, not wanting Quinn to see you cry. He couldn't muster up simple greetings, and an I love you would be almost toxic coming out of his mouth. He didn't care anymore, that much was obvious. So why should you?

You didn't know how long time passed, but it was enough time for Quinn to come over with a plate of dinner, unaware of your state. Your heart swelled. Most days, you had been eating dinner at the table, the memories of the two of you loved up on the couch, enjoying your meal and watching your latest binge watch were long gone. It seemed that Quinn was looking for one of those nights, until he saw your tears. His face dropped, setting your plate down and kneeling in front of you.

"Everything okay, sweetheart?" He asked, trying to get you to meet his eyes. You shook your head. How could he be so oblivious? "Are you serious?" You ask and Quinn's expression changed, like you had hurt him. "What do you mean by that? Why would I not be serious?" he asked, causing you to shake your head. "Quinn, things haven't been right between us for months. You leave me everyday without saying goodbye or even kissing me goodbye, you act like spending time with me is the worst thing in the world. I never go to games anymore because I resent hockey for taking you from me. When you were named captain, I was so proud of you I could explode. Now I can't even bare to be in the hockey setting because it reminds me of everything you chose over me. Quinn, I don't even know if you love me anymore." You took a breath after getting it off your chest, but at the same time a wounded gasp came out of Quinn's mouth, like he was a wounded animal.

"You think I don't love you anymore? How could you think that?" he asked, clearly hurt by what you had said. "What else do you want me to believe, Quinn? I can't even remember the last time you told me you loved me. And beyond that, that you ever even showed that you might. I feel like I live with a stranger. You can't honestly tell me that you have felt satisfied in this relationship. That you feel that we love each other to the fullest, that we love spending time together. I haven't felt confident that you feel that way in a long time." At this point you both had tears in your eyes, Quinn feeling devastated by what he was hearing.

Of course Quinn wasn't 100% satisfied with your relationship. He wasn't delusional enough to believe that everything was perfect. He knew that hockey had been his number one priority lately, and he had been trying to make that not be the case.

"Baby, I know I haven't been putting you first lately, and I'm sorry for that. I truly am. But I feel like it's only been this way since the start of the regular season." This had you scoffing immediately. "You don't seriously believe that. Quinn, I could say I have felt this way on and off since January." This caused another hurt gasp to leave Quinn's lips. "Why didn't you say something..." he trailed off, hurt, but he knew the answer.

"I shouldn't have to beg you to love me, Quinn. I shouldn't have to tell you that you have been neglecting me, neglecting us. If you truly can't see what's been going on, I don't know how I can explain it to you. If you think that this relationship has been satisfactory for both parties, I can't change your mind of that. But I won't be treated like this any longer. I think we should spend some time apart." Quinn backed up as soon as the suggestion came out of your mouth, looking like he had been shot.

"You don't mean that, you can't" he gasped. "Quinn, I'm not saying I want to breakup. If I didn't believe this was salvageable, if I didn't believe you could fix this, I would just say I wanted to break up. I believe we can fix this, but I think some time apart would do us good. For us both to figure out what we're looking for and what we truly want. If we find that this is still what we want, that's great, I believe that we will make it work. But this, this... arrangement, this isn't working. I know you seem shocked and hurt, but I know you don't believe that this is working for both of us, or honestly either of us."

"I'll go stay with Petey, I don't want to be in your way," Quinn suggested and you shook your head. "It's okay, really. I can go stay with Brock's girlfriend. Since she lives by herself it won't be awkward for any of us. I do believe we can make this work Quinn, I just don't think we can do it in these conditions." You put your hand on his cheek and his face softened, leaning into your touch.

"Tell me how to fix it, please, I'll do anything," he begged, tears steadily streaming down his face. "I can't tell you that, Quinn. I want you to figure out. To understand where I'm coming from, and want to work to fix it. I haven't been perfect either Quinn, we can both work on this. I shouldn't have to tell you that spending time together once a month isn't enough. I don't know how it can be enough for you, either. If that's okay with you, then this just isn't going to work."

"I'll fix it baby, I promise, I'll do anything." he whispered, almost defeatedly but feeling much better. "I believe you, baby. I do."

-------------------

The flowers started on Mondays. Each Monday, a different bouquet of beautifully arranged flowers arrived at your office. The message was also different each week but it always ended the same way: " I love you, I believe in us." You texted Quinn every week when the flowers came to let him know you got them and to send your thanks. After four weeks of flowers, you were sitting in the front room of Brock's girlfriend, Bella's, apartment, getting stuff done on your computer on a chilly Saturday afternoon. A knock on the door sounded, causing you to pause your work. You had been staying with Bella long enough that you felt comfortable getting the door. Not to mention Bella liked to sleep in super late on weekends, meaning you would be the only one to even be available to open the door.

Your heart sank to your toes as you looked through the peephole, seeing Quinn. He looked different. If your gut was right, he looked tired, a far away look in his eyes, almost as though he missed you as much as you missed him. You didn't want to believe it, wary of getting your heart broken. He was holding something in his hands, fidgeting with it as he waited for the door to open.

"Y/N, hi," Quinn whispered out, taking a step towards you. "Hi Quinn, it's great to see you. How have you been? Would you like to come inside?" You asked, causing him to shake his head. "I can't stay, but thank you for offering," he stopped himself, wanting to keep boundaries in between you two in order for you to be most comfortable.

"It's been a while since we've seen each other, and I wanted to come ask you something. I was hoping you'd like to come to the game tomorrow night? I was hoping this would be enough time, but if not it's okay." His voice was shaky, unsure, almost like he was scared of your response. "I'm not sure, Quinn. Won't it be weird that I'm there? I don't want to cause any drama." You said apprehensively. You were also nervous of what that step in your relationship would be.

"There would be no drama at all, babe. You could just sit with Bell in the stands if you would prefer that, but I know the WAGs have really been missing you. I heard Millsy's daughters have been waiting for you to paint their nails on intermission again," he joked, causing you to smile. His heart melted at the smile on your face, finally feeling fulfilled, that he made you happy.

"I'll be there, Quinn. You can put me in the box. Don't worry about parking, though. I'm sure I can catch a ride with Bella." You both smiled, joyful at the step in the right direction for the both of you. "I can't wait."

________________

For all the time you had spent at Canucks games, you never thought you would be so nervous about what to wear, but here you are. Finally, settling on a stylish Canucks long sleeve with no distinction of Quinn on the shirt, paired with dark jeans and sneakers.

Quinn played a great game, getting a goal and an assist, the Canucks winning 3-1. You were ecstatic. Being back at the games, with your friends, cheering on Quinn, just felt right. It felt like where you were supposed to be. When you met Quinn after the game, he couldn't help himself either, jogging up to you and wrapping his arms around you, lifting you up off the ground. "Quinn!" you exclaimed, laughing out loud. "You did so good!" You laughed as he set you back on the ground. "It's because you were here, my good luck charm." He mused, causing you to blush.

Before he could stop himself, Quinn asked: "come home with me?" Your breath shortened, definitely not expecting that to come out of his mouth. "Are you sure?" You asked him, heart racing at the idea of going home with Quinn, truly where you belonged. "I would want nothing more."

It felt at times that no matter how much you gave to Quinn, it would never be enough. But as you both grew and learned more about yourselves, you both knew that all you could give would always be enough for the both of you.

#qh43 #Quinn hughes #Quinn hughes imagine #Quinn hughes x reader #vancouver canucks #Vancouver canucks imagine #hughes brothers #elle’s writing

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cursedextrovert · 1 day ago

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People comparing CaitVi dynamic season 1 and 2, are we watching two different shows or y'all just forgot what happened in the middle. There was literally a war going on, Cait's mom fucking died like are they just gonna be lovey dovey with all these politics going on? And then one moment they leave everything to just be with each other in that jail cell you are also mad like wdyw?

Also people who say their sex scene is not necessary and/or a bad representation.

Firstly, JayceMel also got a sex scene in season 1 so its not like they invented sex just for these two lesbians.

Secondly, they didnt just fuck. Vi was beating herself up thinking she made the wrong decision and fucking things up like always and Cait told her that she actually let the guards go so Vi can do that exact thing she wanted. Ultimately saying a) she trusted Vi when she said Jinx has changed and wanted Vi to let the girl out b) she wanted Vi to be happy more than she wanted revenge even tho just some months ago she was the opposite.

Thirdly, we see the detail, Cait hesitates when she sees the bandage where she used to hit Vi. We see Cait taking off her clothes and showing her all, being vulnerable because Vi deserves that much from her.

Fuck. I get it, ok? This is a rare time we got a wlw relationship where both are main characters, and in a big show like this so you want it to be perfect and deprive of all flaws. But wouldnt you rather have two well-written characters where they relationship is tangled with the core of who they are than just a wlw couple with no conflict, no personal development no nothing? Hows that a good representation? Their relationship doesnt solve the conflict between them and their politics but is the reason why they were intertwined in the first place.

And dont come at me about systematic problems as well like Im a poc myself living in a white country and a sociology graduate. I understand Caitlyn did terrible things and is a war criminal herself with how she stands aside letting Ambessa did the thing she did and for gasing Zaun just to seek revenge. But she, just like everyone is a product of her sociocultural surroundings, shes a human affected by their beliefs and emotions. Isnt that the point of the show?

I dont think she got her happy ending just because she lives, I think being alive is her purnishment. She has her whole life to make up for what she did and I believe she will. What other fate you think she deserves? Her death will not undo her crimes, so is prison, they will also prevent her from actually fixing what she caused and ultimately using her priviledge for good(which shes doing, you can read my post about it). And Im not about to start the whole ethic debate on prison. How does one define a purnishment worthy? How do one define what a person deserves?

Finally, you know who else was a war criminal and walked away with what he wanted? Singed. Reality is like that, not black and white. People dont get what we think they deserve, ever.

#arcane #caitvi #vi arcane #caitlyn kiramman

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rose24207 · 2 days ago

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The Balance of Us

Summary: As Lando navigates his dangerous world, his fiercely curious daughter and gentle son test the delicate balance of their family, while his kind-hearted wife remains his unwavering anchor in a life of chaos.

Genre: Mafia!Dad!Lando, fluff, angst if you squint

TW: Mafia

A/N: Yeah I’m posting it. There are two more to come. Whoops. English is not my first language. I hope you enjoy it though! Requests are open and welcome!

Masterlist

It had been a few weeks since the last family dinner where Lando had reflected on the curious dynamic of his household.

Life in the Norris estate was never dull, and tonight was no exception.

The children were growing up fast, each displaying glimpses of the people they’d one day become.

For better or worse, they carried pieces of both parents, and it was beginning to show in the most unexpected ways.

The estate was quiet. Most of the staff had retired for the evening, leaving only the night guards stationed at key points.

Amelia, however, wasn’t in bed like she should have been. Instead, she was tiptoeing down one of the many hallways, her favorite flashlight in hand.

“Amelia,” Jacob hissed from behind her, clutching a stuffed rabbit tightly. “We’re going to get in trouble!”

“We won’t if you stop talking,” Amelia whispered back, shining her flashlight in front of her.

The two children had overheard something earlier—guards talking about a "delivery" in the estate's basement.

Amelia, endlessly curious about her father’s world, wanted to see what it was.

Jacob, on the other hand, was dragged along against his will, a reluctant sidekick in his sister’s adventures.

“What if it’s something bad?” Jacob asked nervously.

“Then I’ll handle it,” Amelia said confidently, sounding far older than her ten years.

Just as they rounded a corner, a shadow loomed behind them.

“What do you think you’re doing?”

Both children froze, turning slowly to see Lando standing there, arms crossed, his dark eyes narrowing.

Jacob shrank back, hiding behind Amelia. “We were just… exploring.”

“Exploring?” Lando repeated, his voice low but edged with disbelief. “At this hour?”

Y/N appeared moments later, drawn by the commotion. Her expression softened immediately when she saw the kids. “What’s going on here?”

“Your children decided to investigate my business,” Lando said, glancing pointedly at Amelia.

“I wanted to know what the delivery was,” Amelia admitted boldly, her chin lifting in defiance.

Lando exhaled slowly, rubbing a hand over his face. “Amelia, I’ve told you before. There are things in this house you’re not ready to understand.”

“She’s just curious,” Y/N said gently, stepping forward to kneel beside Amelia and Jacob. “It’s a good trait, but there’s a time and place for it, sweetheart. And sneaking around at night isn’t it.”

Amelia frowned but nodded, looking slightly chastised.

Jacob immediately wrapped his arms around Y/N, muttering, “Sorry, Mum.”

Y/N kissed the top of his head and stood. “Alright, off to bed. Both of you. No more sneaking around.”

Lando watched as she herded the children back toward their rooms, his gaze lingering on Amelia’s determined little face.

“She’s going to be trouble,” he muttered to himself, though there was a trace of pride in his voice.

The next morning, the family gathered for breakfast. The dining room was filled with the sound of clinking dishes and lively chatter.

“Dad, why can’t I know what you do?” Amelia asked suddenly, stabbing a piece of toast with her fork.

Lando set down his coffee cup, glancing at Y/N for support.

Y/N smiled gently. “Your dad’s work is very complicated, Amelia. And some parts of it… well, they’re not something a ten-year-old needs to worry about.”

“But you know about it,” Amelia pressed, looking at her mother. “And you’re nice.”

Y/N laughed softly, while Lando raised an eyebrow.

“Nice has nothing to do with it,” he said. “Your mother is smarter and stronger than anyone I’ve ever met. That’s why she can handle it.”

Jacob piped up, his voice quiet. “I don’t think I’d want to know. I like the garden and the library.”

“That’s fine too,” Y/N said warmly. “Everyone has their own strengths.”

Amelia, however, wasn’t satisfied. “I’m going to be just like you one day,” she told Lando.

Y/N exchanged a look with her husband, her smile fading slightly. “We’ll talk about that when you’re older,” she said gently.

Later that day, Lando found Y/N in the garden, trimming roses. She was always happiest out here, surrounded by life and beauty, a stark contrast to the chaos of his world.

“You’re worried about Amelia,” he said, stepping closer.

Y/N sighed, placing the shears down. “She’s too young to want this, Lando. She doesn’t understand what it really means.”

“She’s got my stubbornness,” Lando admitted, smirking faintly.

“She’s got more than that,” Y/N said, brushing a stray hair from her face. “She’s smart and brave, but I don’t want her growing up thinking this life is her only option.”

Lando nodded, leaning against the garden wall. “I’ll talk to her. Set some boundaries.”

“And Jacob?” Y/N asked, her voice softening.

“He’s fine,” Lando said. “He’s more like you—sees the good in everything.”

Y/N smiled at that. “I hope so. The world needs more kindness.”

Lando reached out, pulling her close. “You balance us all out, you know that?”

She looked up at him, her expression tender. “And you protect us. It works.”

As the household settled down, Lando sat in his study, staring at a family photo on his desk. Amelia’s fierce grin mirrored his own, while Jacob’s shy smile was all Y/N.

He couldn’t deny how much his family meant to him. They were his reason for everything—the good, the bad, and the complicated.

When Y/N entered the room, carrying two mugs of tea, he smiled softly.

“Thinking about the kids again?” she asked, sitting beside him.

“Always,” he admitted, taking a sip of tea.

“They’ll be okay, Lando,” she said, resting her head on his shoulder. “Because they have us.”

And in that quiet moment, surrounded by the warmth of her presence, Lando believed her.

Thank you for reading!

#f1 au #lando x you #lando x reader #lando imagine #lando norris #dad!lando #mafia!lando #mafia #f1 mafia au #f1 x reader #f1

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ghostinthelibrarywrites · 2 days ago

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I Am Flesh and I Am Bone (I've Got Fire in My Soul)

My belated Halloween fic is finally posted! Thank you to the marvelous @arisprite for the beautiful artwork they created for this fic, which you can find here, and all the help with brainstorming! You can read the first couple of scenes below or the whole thing here on AO3!

Rating: T

Words: 12K

Warnings: none

Relationships: Payneland with background Palasaki

Summary: On Halloween, when the veil is thinnest between the living and the dead, ghosts are at their most corporeal—and their most vulnerable. When Charles, Crystal, and Niko go to a masquerade and walk into terrible danger, Edwin has no choice but to leave the safety of their warded office to save them.

Excerpt:

“And this is why I have never cared for parties,” Edwin says as he helps Niko up the stairs to the office. She’s leaning against him heavily, looking almost as tired as she did while recovering from the spell that nearly killed her in Port Townsend. She lost her butterfly mask at some point during the evening.

“Soul sucking witches are why you’ve never cared for parties?” There’s no real bite in Crystal’s voice; she looks almost as exhausted as Niko, with her head lolled against Charles’s shoulder. He’s practically carrying her.

“Among other things.” Edwin shudders. “I will say, it was better than some of the dinner parties my parents forced me to attend.”

“Everyone was unconscious by the time you got there, mate,” Charles says.

“Precisely,” Edwin says. “I, for one, do not think I’ll be attending another one anytime soon.”

“It was pretty aces until the soul sucking started.”

“I’ll take your word for it.” Edwin is very much not taking his word for it. “I could have told you, Charles, nothing good ever happens on Halloween.”

***

Five days ago

Charles doesn’t realize how close they are to Halloween until he’s walking Crystal and Niko back to the agency’s office, a step ahead of the girls, when he hears a surprised shriek behind him. He whirls around to find Crystal suspended in mid-air, hanging upside down, the coffee she just bought at the shop down the road staining her pale blue blazer and dripping down her face into her hair.

She glares furiously at Charles, blinking coffee out of her eyes. “What the actual fuck, Charles?”

“Oi, why do you assume I did that?” Charles puts his hands up in surrender as Niko starts dabbing at her girlfriend’s cheek ineffectually with a napkin. “Edwin, I think your protection wards work a little too well, mate!”

Edwin’s head appears through the door. When he sees Crystal’s predicament, he sighs. “One moment, please.” He vanishes back into the office.

“Take your time!” Crystal calls after him. “I’ll just be here, showing my ass to the entire hallway.”

“It’s a nice ass,” Niko says helpfully.

Charles politely averts his eyes from the ass in question, focusing instead of the growing puddle of iced coffee on the ground. “No other offices on this floor, mate, so the only people who can see anything are me and Niko.”

“Charles, you’re not helping.”

There’s a hissing sound in the air, like air being released from a tire, and Charles catches Crystal around the waist right before the wards release her. He lowers her to the ground carefully, flipping her over to set her down on her feet. She smooths down the skirt of her uniform, glowering down at her stained blazer and blouse.

With an apologetic smile, Charles opens the door to show the girls into the office. On the other side of the door, Edwin stands with his hands clasped behind his back, looking only slightly sheepish.

Crystal jabs a finger at him. “You owe me a coffee.”

“You really should consume less caffeine,” he tells her. “It will stunt your growth and you’re already considerably shorter than average.”

That earns him the expected hand gesture, which he seems unfazed by.

“What are the added wards for, mate?” Charles goes to press a kiss to his partner’s cheek. He doesn’t think they’ve made any enemies lately. Their last few cases have been almost painfully routine. He hasn’t had to hit anyone with his cricket bat in months.

“I ran some errands while you were out,” Edwin says, cheeks going a little pink at the PDA, as mild as it was. “When I attempted to return home, instead of mirror-walking back to the office, I ended up in the real estate office downstairs. I gave one of the realtors quite a fright, I’m afraid. I don’t believe she could see me, per se, but she certainly knew she wasn’t alone.”

Charles groans. “Bollocks. What day is it?”

“October 26th.” Niko looks between them. “What does that have to do with the wards?”

“Are you afraid the realtor’s going to call an exorcist?” Crystal asks in a tone that suggests she may help out said exorcist.

Charles shakes his head as he slings an arm around Edwin’s shoulders. “It means it’s almost Halloween. Snuck up on us this year, didn’t it, mate? Suppose we’ve had a bit going on.”

Crystal and Niko both stare at him blankly and he remembers that even though it feels like they’ve been part of the Dead Boy Detectives for ages, it’s been less than a year since Port Townsend. There’s still so much that they don’t know.

“Halloween, or Samhain, is the day where the veil between the living and the dead is at its thinnest,” Edwin says in what Charles privately thinks of as his posh professor voice. “We often see all manner of ridiculousness on that day. Seances, arcane rituals—”

“Long story short.” Charles squeezes Edwin’s shoulder, because as much as he loves his posh professor voice, Crystal is looking increasingly murderous. “Veil being thin means that things are a bit screwy for ghosts around Halloween. Mirror travel doesn’t work, for one. Most people can see us, for another.”

Edwin nods. “Precisely. On Halloween, ghosts experience the closest thing to corporeality that we’re capable of. It makes us vulnerable to far more things than iron and cat scratches. Hence, the wards. My apologies, Crystal. I forgot to make an exception for you so you could pass through untouched.”

“I notice Niko was able to get through with no problem,” Crystal says.

Edwin clears his throat and straightens his bow tie.

“This is awesome!” Niko claps her hands together, eyes shining. “If people can see you, does that mean you can go out and actually interact with people?”

Charles grins at her enthusiasm. “Yeah, it’s brills, isn’t it? It’s almost like being alive again. We can’t eat or sleep or anything, because we’re still ghosts, but we’re a bit more part of the living world. We can feel it when people touch us. We can even smell a bit, right, Edwin? Which isn’t always so brills. Couple of Halloweens ago, all the sewage pipes in the building got backed up. That was a tough one.”

“So what do you normally do on Halloween?” Niko bounces up and down on her toes, like her body can’t contain so much excitement.

“Depends on the year.” Charles shrugs. “Usually, I find a party or a club, go dancing, meet some new people, find a—”

He breaks off, because he was about to say “find a fit girl to snog,” but he’s not about to say that in front of Edwin. It’s only been a few months since Charles pulled Edwin close at the end of a long, harrowing case and kissed him. They’re still figuring out this new aspect of their relationship, feeling each other out (in more ways than one.) They’re taking things slow, but it’s been pretty aces so far. Charles isn’t about to wreck it by bringing up all the girls he used to snog.

“And I layer the office in wards and settle down for the evening with a good book,” Edwin says.

Crystal and Niko turn to him, aghast. “You get one day of being corporeal a year and you spend it hiding in the office?” Crystal demands. “Of course you do.”

“Corporeality means we can be observed and touched, which means we can be harmed.” Edwin sniffs. “I don’t begrudge Charles his evening of revelry, but I prefer to stay where I know I won’t be hit by a bus. I don’t believe we can die again on Samhain, but I will not risk it.”

Crystal opens her mouth, but Charles catches her eye and shakes his head. He and Edwin had this conversation many times in their first few years of friendship. It took Charles a while to realize that his version of having fun—going out and meeting people, flirting with girls, experiencing new things—wasn’t exactly Edwin’s version of hell, but was the closest thing the mortal plane could provide. He doesn’t get Edwin’s insistence on locking himself away every Halloween, but he’s sure Edwin is just as bewildered by Charles always going out.

But this year, Charles has better plans than going to a party and meeting pretty girls. He’s been waiting for months to find out just how soft and warm Edwin’s mouth really is. Ghosts have their own type of physical sensation, so kissing Edwin is always aces, but on Halloween, it will be the closest they’ll ever get to being two flesh and blood boys snogging on the couch. He might even be able to give Edwin a hickey. Charles can’t wait.

A bloodcurdling shriek from the hallway distracts him from imagining kissing his way down Edwin’s throat.

“Oh no.” Niko’s eyes go wide. “Edwin, did you put the wards back up?”

Edwin huffs. “Of course I did. There’s no such thing as being too careful around Halloween.”

“Edwin Payne!” a Scottish-accented voice bellows. “What on earth is the meaning of this?”

***

Four days ago

“I have an idea!”

Edwin has approximately a fifty perfect success rate with Niko Sasaki’s idea. When it comes to detective work, she has shockingly astute instincts for one so young and so new to the world of the supernatural. She’s also quite good at finding books and cartoons that Edwin would enjoy, even if some of them are downright scandalous. However, the last time she said, “I have an idea!” in that tone of voice, she spent a quarter of an hour trying to convince Edwin to manifest himself a mustache.

With great trepidation, Edwin looks up from his report on their latest case. “Yes, Niko?”

She beams down at him. Crystal stands with her arm around her, smirking, which worries Edwin even more. “We should go to a Halloween party.”

Edwin has been expecting this ever since their discussion about Samhain yesterday. “I would rather return to Hell. Not the Dollhouse, but perhaps Limbo.”

“Let’s not joke about that, yeah?” Charles calls from the other side of the office, where he’s sorting the infinite backpack, a process that would be much quicker if he would ever let Edwin inventory the contents.

“But no, this is a party I think you’ll like,” Niko says. “It’s in a new club that used to be an old factory.”

“Niko, you enjoy horror films,” Edwin says. “You should know better.”

“And it’s a masquerade!”

Edwin blinks, confused at her obvious excitement.

“You know, you wear masks, so no one can tell who each other is,” Niko says. “It’s super romantic. You can be dancing with someone and they could turn out to be your mortal enemy.”

“Do you have a mortal enemy, Niko?” Charles asks, amused.

“Mrs. Schafer, my Lit teacher at Gray Wake,” Niko says. “She said manga was for people who can’t read real books.”

Edwin is going to find this Mrs. Schafer and haunt her until the day she dies. “I like to see my enemies coming, so I would prefer them not to be masked.”

Niko sticks her lower lip out in a pout and turns to Crystal. “You’ll come with me, won’t you?”

“And see you in a pretty costume? Of course.” Crystal looks over her shoulder at Charles. “You in, Charles?”

Charles puts down what looks like a half-eaten sandwich—why he has a sandwich in his bag, Edwin can only imagine—and turns to them. “I don’t know. Don’t think it’s Edwin’s scene.”

“That doesn’t mean you shouldn’t go,” Edwin says quickly. He’s been worried about this ever since this… thing between them began this past summer. He and Charles both learned much about themselves in Port Townsend. Edwin learned that he could finally put words to the desires he’d been suppressing his whole existence without burning up in shame, that the way he felt could be right and good. Charles learned how desperately he aches to still be part of the living world, to experience the life that was stolen from him so cruelly. Edwin doesn’t want Charles to give up the one day a year he can interact with the world just because Edwin would rather not.

Edwin still doesn’t know exactly what they’re doing. The physical aspect of it is better than he ever could have imagined. He didn’t know he could feel as good as Charles makes him feel on a regular basis. But Edwin still isn’t sure what it all means and he fears asking, lest he upset the delicate balance between them. He knows that Charles loves him, that he’s the one person in the universe Charles Rowland would walk into Hell for. But he doesn’t know if Charles is in love with him, or if he’s just enjoying the novelty of being intimate with someone whose touch he can actually feel.

All Edwin knows is that he doesn’t want it to end. And if he holds Charles back from a night of fun with Niko and Crystal, he fears it’s only a matter of time before Charles starts resenting Edwin’s wallflower tendencies. After all, tolerating an antisocial best friend is one thing; having a romantic partner that walls himself up in their office rather than face the living world is another. Edwin couldn’t blame Charles for growing tired of that.

“I don’t know, mate.” Charles looks doubtful. “I was thinking we could stay in. Maybe you could read one of Niko’s mangas to me.”

That sounds like the best Halloween that Edwin can imagine, but he’s sure it’s not what Charles really wants. “No, I insist. I don’t expect you to pass up an opportunity to go to a party just because I’d rather not. Besides, some peace and quiet will be a welcome change.” For show, he casts a pointed look at Crystal, even though they all know he’s come to accept the additional members of the Dead Boy Detective Agency, even the Night Nurse.

“If you’re sure that’s what you want,” Charles says cheerfully, turning back to his backpack. For a moment, Edwin thinks he detects a hint of strain in the cheer, but then Charles starts whistling as he pulls a garden spade out of his bag.

“You should go enjoy your masquerade,” Edwin says, instead of asking Charles to stay. “But if you’re going to dance with your greatest enemy, I do hope you bring your bag of tricks.”

***

You can find the rest on AO3!

#dead boy detectives #payneland #dbda #edwin payne #charles rowland #ghost's fic #ghost's writing

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geospiral · 2 days ago

Text

The stage was always Luka’s world, and everyone else was just living in it.

Luka’s first round in the 50th Alien Stage competition was the fourth round, but really it should have been the second given the predetermined matchups. The Segyein were saving his round for later in order to excite the in-universe audience to the previous winner’s grand return.

(There is no dimmed profile in the second bracket.)

Luka being set up to go against either Mizi or Sua was absolutely intentional; the Segyein knew whoever came out of Round One would be an easy target for Luka’s manipulation, which, in their eyes, would make for a good show. When organizing the rounds, it seems like the Segyein try to go for which setups will elicit the biggest emotional responses out of the contestants. They clearly already knew about Mizi and Sua’s intimate relationship with the fact that the contestants’ profiles are most likely created by the Segyein with little to no input from the humans themselves (probably made with the help of the ever-present camera flowers in Anakt).

(translation)

This would also explain why Sua and Ivan were so certain about Mizi going up against Sua in the competition despite them not being told about the round matches yet.

(Take this with a grain of salt because it is possible they were already told who was against whom before this comic, but given how young they look, I'm thinking that it's probably too early for them to know.)

(translation)

If Luka weren’t in this year’s tournament, they would have probably set Till up against Mizi in Round 5 instead since the Segyein are aware of how much she means to Till. They technically could have still done that with Luka in the competition and had Round 6 be him vs. Ivan, but they most likely didn’t want to save Luka’s signature act until the final round, which the Segyein would have believed themselves to be doing given how they don’t seem to know how important Till is to Ivan (probably intentionally on Ivan's part).

(Text: "Intimacy: 70% It feels like I'm being chased all the time, but I can't find any evidence, so the teachers only suspect me!!! I'm so pissed!! He's always done things I don't like, and I don't understand... Anyway, he's a bother.)

Note: While I think the character profiles were probably made by the Segyein, I don't think the intimacy levels from the artbook are. I'm showing Till's intimacy level for Ivan to highlight his comment about the teachers not believing him when he says that Ivan is constantly following him around.

The Segyein knew the two were friends at least, but that seems about it. Maybe that was enough for them to be a possible sixth round setup if they came out of 2 and 3 victorious, but given the vast potential there was for Luka vs. Ivan after a Mizi vs. Till round, I don't think the Segyein knew the depths of Ivan and Till's relationship and therefore didn't care until it became blatantly obvious after the canon Round 6 and could be capitalized upon for the finale.

From a meta perspective, an Ivantill round was obvious, but my personal opinion is that in-universe I think that matchup was more akin to a happy little accident on the Segyein's part.

This is also all ignoring the huge elephant in the room, which is the Rebellion throwing a wrench into the competition.

I think the biggest change in the direction of the competition (not the results of the rounds but in how the rounds themselves were organized) due to the rebellion was how the Segyein decided to have the finale be mere hours after Round 6. If the fifth round hadn’t been interrupted, I think that the sixth would have been performed right after, like how the first four rounds were. Also, I don’t think they would have tried to aid Luka in his manipulation by throwing up pictures of Ivan on the screens and would have just left him to his own devices like in Round 5. But the Segyein wanted to lure the rebels out to save Till, so basically flashing a big sign that says, "THIS GUY IS MESSED UP FROM THE LAST ROUND AND WILL DIE IF YOU DON'T DO SOMETHING" was probably the best way to do it.

This is all to say that I think it's a lot more interesting if Luka was being set up to be the winner the entire time. Obviously he still had to work for it, but I like the idea that almost everything was set up in his favor; he just had to take advantage of it. The Segyein wanted a good show, and Luka knows how to perform. He did not disappoint them.

#alien stage #alnst #alnst luka #I never know if these are any good when I post them but I try!!#Also this is all just my opinion and its obviously cool if yours are different #especially with whether or not the Segyein knew Round 6 would be a heavy hitter like with Round 5 #cause while I think they knew Till would be in an awful state after Mizi (whether she died against Luka or was saved by the rebels) I don't #think they thought he would stop trying completely. I also think that they assumed that he would be the winner in Round 6--#despite being thought of as a “rookie.”#He was always more popular than Ivan except for when he killed Freddie but that just served to add to his loose cannon image--#and ended up boosting his popularity to 2nd.

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eddiestightywhities · 2 days ago

Text

SNIPPET SUNDAY

so there i was minding my own business working away on my s08e08 coda when BAM! charlie @playinginthunderstorms goes and drops THIS SHOW-STOPPING FIC and completely derails my efforts by inspiring me to write a completely different fic that is also a coda for s08e08 lmao. having writer friends is never, ever boring, amirite?!

anyways here's an excerpt seeing as i thought i'd get it finished tonight but didn't and need the motivation to keep going with it asfhjhsk

ps pls be kind as it's completely unedited xp

“Take it off.”

Buck looks up to where Eddie is standing in the door jam, big hands on slim hips and pink lips pinched.

“Huh?” he replies.

Because huh?

Eddie gives him The Look; his patented Buck look.

“Buck,” he says in the exact same way Buck just heard it in his head.

Then Eddie's eyebrows shoot up in the way Buck knows to mean you know what I mean, and although most of the time Buck knows precisely what Eddie means with just one pointed eyebrow-raise, right now he has zero clue of whatever it is Eddie is trying to tell him.

“What?” he says, his own brows asking half the question for him.

Eddie sighs, and it's kind of pained and long-suffering, which—fair.

“The hoodie, lover-boy. Take it off.”

The penny-drop is immediate.

For some reason, Buck blushes a little under Eddie's gaze—and maybe a little at his use of the weirdly alluring moniker.

Buck is wearing one of Tommy's hoodies.

He doesn't pout, but it's a close thing.

“But it's—Eds, it's the only thing I have left of him,” he protests, voice pathetically brittle and small.

Eddie's eyes go so soft you could top hot chocolate with them and cover them in squirty cream.

“Look, Buck, keeping it is bad enough. But wearing it? That's some pretty solid self-sabotaging behaviour, man. Trust me; I should know.” His words are cleanly direct, as they always are, only his mouth treats them with such gentleness, and such care, that Buck kind of wants to cry.

Eddie always looks after him. Always works hard to keep Buck's heart safe from harm.

Buck pictures it now, his heart laying uselessly in his friend's cupped hands as it continues to pump Buck's blood out of its floppy ventricles, even though there's nowhere left for it to go.

Tommy left him.

They all leave, eventually. Because everybody leaves Buck, he should know that by now.

Everyone except Eddie.

Adversely, though, it was only yesterday that Eddie had told Buck about his absolutely batshit crazy idea of moving back to El Paso, after which Buck's brain had consequently stopped sending messages to his body to tell it how to breathe.

He remembers picturing Yesterday Eddie crushing Buck's heart in a tight fist, blood and viscera oozing out from between his fingers and dripping down over his knuckles, right onto the sparkling white kitchen tiles. Then, rounding the table and chairs to step on the pedal bin pedal, he'd proceeded to throw Buck's heart away into the trash bag along with the rest of the trash.

Somehow though, in the space between the last of Buck's now-crushed heartbeats and him blinking back to reality, Buck had managed to snap out of the fucked-up vision to remind his body to keep working in the way that it's supposed to.

He'd then forced a plastic smile onto his face and painted it with as much selfless understanding as he could muster, before coming out with, “Well, we should move this party to the couch,” and offering himself up as a Realtor Virtual Meeting Wingman like a certified insane person.

Buck loved Eddie—he was his best friend in all the world—so what the fuck was he doing helping the guy turn his life into a living hell?

But helping being his first instinct was what made him realise he loved Eddie and Christopher enough to give them up, if that's what it was going to take to facilitate them getting their happiness back.

…Or so he thought.

As much as he had tried—and by god, he had really, really tried—Buck just couldn't keep up the Supportive Best Friend charade for very long.

That's when all hell had broken loose.

tags are under the cut, play or nay:

@inell @rosieposiepuddingnpie @sortasirius @angela-feelstoomuch @woodchoc-magnum @kitteneddiediaz @buddiebeginz @watchyourbuck @treasurehuntbuck @daffi-990 @colonoscopys @shitouttabuck @lamardeuse @idealuk @veronae-buddie @isaacthedruid @team-118 @wildehacked @playinginthunderstorms @kyoteugly @hotshotsxyz

#snippet sunday #buddie #buddie wip #buddie fic #911 spoilers #my wips #cassidy writes #eddiestightywhities

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descendant-of-truth · 15 hours ago

Text

Okay I waited to get this out there because I didn't want to be a bummer the second it released, but. The story in Shadow Generations was... kind of nothing. Which sucks, because it had literally everything going for it.

Shadow gets plunged into a white space where people and places from different points in time are unceremoniously dropped in due to the power of the Time Eater, and that means Black Doom is here to try to manipulate Shadow again. Shadow starts developing alien mutations that mess with his sense of identity and only make Black Doom stronger, but he's determined to use them to take him out for good.

At the same time, Maria and Gerald Robotnik are here, and of course the first thought on Shadow's mind when he discovers them is how he can find a way to save them from their original fates. So he's got two goals: defeat Black Doom, and save his family.

This setup is really good. It's immediately engaging for all sorts of reasons, from the surface-level "whoa cool alien powers!!" to the heartbreaking implications of Shadow being forced to say goodbye to Maria and Gerald again. (Because naturally, we've seen where the games go from here and we know the timeline isn't changed that drastically.)

And it's clear to see that the people involved in working on this game were passionate about it, too. The animation and cinematography is quite good, and while I have my critiques (I still don't think the character models are that great), so much effort was put into making Shadow the coolest guy ever, and I think it paid off. He's both very cool and shows a wider range of emotions than we've seen from him in a while, which is always a plus for me.

I mean, goodness knows that Shadow needed his character to be revisited and given respect after, what, over ten years? The step up that this is can't be overstated.

And yet.

The story itself is so empty.

Let's go in order:

The game opens with a narrated recap of Shadow's basic history in order to catch people up. I can't say it doesn't technically serve its purpose, but given the fact that the premise of the game is exploring Shadow's past, it's a little weird to spell it out at the start like this. If you're a newcomer to the series and don't know much about Shadow, wouldn't it be cooler to find this stuff out by progressing in the game?

It also leaves out crucial details that, while they could arguably bloat the scene, provide a lot of relevant context that a first-time viewer isn't privy to.

"At the last moment, Shadow remembered Maria's final wish... to protect her beloved planet and all who lived there."

The last moment of... what, exactly? What made him remember, what made him forget in the first place?

In order, these are the answers the scene doesn't give you:

The last moments before the ARK crashed into the Earth, which would've caused catastrophic damage.

Amy was the one who pleaded with Shadow to give everyone a chance, which echoed what Maria told him, triggering the full memory.

It's actually unclear if Shadow forgot what Maria said as a natural trauma response or because Gerald messed with his memories on purpose, but this would have been a great opportunity to clarify.

It also leaves out the fact that Shadow teamed up with Sonic to save the world after he tried to destroy it, so that's two connections with other characters he has that are completely left out in the recap. I know we're finally getting back to showcasing Rouge and Omega as his best friends, but he does hold respect for Sonic and Amy, too. Plus, his interactions with them in SA2 were so iconic, why leave them out?

Then again, I suppose Rouge and Omega aren't in this recap either... which is really weird, the more I think about it.

But even as it's describing the moment he chooses to be a hero, they don't show him in his super form alongside Sonic, he's just... what, on fire?? I don't know what that's supposed to be depicting, it just looks cool.

"Shadow didn't understand why Black Doom expected him to be the vanguard for his invasion of Earth."

A fine start, but shouldn't we have gotten a passing mention of Shadow's amnesia somewhere in here? He spent two whole games trying to remember who he was, and Black Doom's whole tactic was to exploit his desire for answers. That's important characterization for both Shadow and Black Doom that we're missing out on, here.

"Shadow the Hedgehog. The lone, dark warrior who judges the world by his own code."

This is maybe best addressed in a separate post, but. does anyone else find this description of Shadow kinda odd? "Lone warrior" I get, even with his friends he's not big on groups, but it's everything else.

Yeah, he judges the world by his own code, I guess, but his actions are all in service of following Maria's code. It's Sonic that lives solely by what he wants without much influence from others, not Shadow.

And what exactly makes Shadow a "dark" warrior? He's been explicitly characterized as someone who doesn't kill as recently as the prologue animation to this very game, where he goes out of his way to save a pilot when he doesn't need to. His entire life's purpose is protecting the world, and this doesn't involve killing or torturing people, so... what exactly is the dark part of his morality. Nothing about this recap has given me reason to believe he's anything but a heroic person with a traumatic past, and the subsequent game will only reinforce that.

I guess he did kill all the Black Arms, but that's not something the game ever treated as an immoral action. Shadow blows up Black Doom and the comet his people live on and all of our heroes cheer as he does it. It happens in the True Ending and everything, where Shadow's supposed to be proving himself as a hero for real, so that can't be the example of him being a Dark Warrior.

Is it because of how he treated Infinite, a character that this game doesn't acknowledge despite featuring a level from Forces? We'll never know. They just want you to accept the idea that he's Darker and Edgier than Sonic based on his surface-level demeanor alone, which... given that the objective of this game is to showcase Shadow's nuance, this is really out of place. Overall, not a great scene.

That said, the first real cutscene is pretty good, and it immediately showcases how unnecessary that recap was by showing how excited Maria was to meet Shadow for the first time. From that scene, we learn that Shadow was artificially made, that he's "the Ultimate Lifeform," that Maria was likely close to him, that this happened on some place called "the ARK" which is in space, etc. Why did we have a narrator tell us all of this a minute ago when we were just about to see it for ourselves?

I do have one nitpick, though - Shadow claims that he arrived at the ARK "an hour ago," and Rouge on the other end of the comm is already at Sonic's birthday party. Rouge only agreed to help Shadow get to the ARK if he would go to Sonic's birthday party afterwards, but how was Shadow supposed to have time to do anything up there if Sonic's party was that soon? I was under the impression from watching the prologue that Sonic's birthday was at least a week away, because how else would Rouge expect him to conduct a full investigation and potentially fight some huge battle before then?

Oh and the Time Eater shows up in two places at once (at Sonic's party and on the ARK), I feel like it would've made more sense to have it grab Shadow after it was done with everyone else. Now I'm gonna be forced to ask "why doesn't the Time Eater multiply" for the rest of the game. Whatever

Moving on, our first real sign of things to come is the fact that Omega does not have a proper speaking role despite showing up in the first cutscene. He's right there, conveniently next to Shadow, but as soon as you think they're going to talk to each other... you're dropped into the hub world. Speaking to Omega results in text bubble dialogue, wherein Shadow is mysteriously hit with Silent Protagonist Disease and we don't get to hear anything he says. Effectively, Omega just. talks at Shadow three times, saying nothing of interest. and it's completely optional.

I repeat: all of the dialogue from one of Shadow's best friends is OPTIONAL, and Shadow himself says nothing to him. Yeah, we're off to a great start.

(Omega even says that he's going to assist Shadow, and I just. I have to laugh. I'm so sorry Omega but in terms of physical actions, you're genuinely going to do less here than in Forces)

Shadow: "No. She's gone. I'm seeing things."

Pardon?? Seeing things??? I'm sorry but there is no way that Shadow can see and recognize Maria from that distance but not from ten feet away with her back turned. He's also never been implied to have super-vision, so the whole scene just doesn't make sense, and frankly adds nothing to the story.

Even if he doesn't mean literal sight, then 1) why did he phrase it like that, and 2) I kinda don't care. He doesn't need to be able to sense Maria's presence or whatever's going on here, because he's just as shocked when he actually sees Maria properly later. It builds suspense I suppose, but I feel like it would've been more impactful to discover that Maria was really here the same way Shadow does; in the cutscene where he saves her.

But before they can reunite, we've got the first proper cutscene with Black Doom:

Black Doom: "You defeated us, but the Black Arms live on. And this temporal anomaly has accelerated my plans to revive my forces and consume the world."

I'm gonna be real with you guys. I have no idea what he's talking about here.

The game makes zero attempt to really explain how the Black Arms "live on" despite Shadow blowing up their entire comet along with Black Doom himself, and going into the game, I kinda thought it was just... time displacement. Maria and Gerald are brought in from a time they were alive, so I thought it would be the same with Black Doom, but no - he revived himself before the Time Eater even got involved.

Which I'd be willing to accept if they gave me an explanation for it, but they didn't, and the whole foundation of the plot suffers for it.

Plus, what the heck does he mean that the temporal anomaly has "accelerated his plans to revive his forces"?? The Time Eater's powers don't... accelerate anything. At all. They pluck things out of time and freeze them in a void. How does that help Black Doom's plans whatsoever?

If the idea is that he's going to pluck his own forces out of time and bring them back that way, why not just say that? Why are they withholding such basic information from us? It doesn't create intrigue, and the story doesn't even treat it like there's a gap in our knowledge to begin with. I think it's genuinely supposed to be the whole explanation, and that's a problem because it explains very little.

Then you've got the Black Moon, and this thing annoys me to no end because guess what?? Despite gradually opening more eyes and cracking open every time you complete a level, it's never once explained what it is or what it's for. All it does is turn the white void into a red void and open a portal to Even More Radical Highway. Maybe I'm forgetting something from an optional piece of dialogue, but that only creates a different problem, which is that you should never lock basic understanding of the story behind optional dialogue.

Why does it have eyes? Is it a living creature or some weird bioweapon? It's oddly mechanical for a creation of the Black Arms; even their weaponry is organic, as this very game tells us through Omega, so what's its deal??

You'd think it would have something to do with time, considering the framing of this scene:

Shadow says "perhaps I can change their fate" and then looks to the Black Moon as though it may hold some relevance to this new plot thread, but. nope. it just takes you back to Radical Highway.

And hey, look at that, I was so busy complaining about the moon that I seamlessly transitioned into one of my biggest issues with the game: Shadow says this. and never follows up on it. EVER.

I'm not kidding, there's literally NO point in the game where we're shown Shadow trying to do ANYTHING to change Maria and Gerald's fates. There's no scene where he attempts to understand the void better, he never investigates anything, he makes exactly zero attempts to accomplish one of his main goals. of BRINGING HIS FAMILY BACK TO LIFE.

What is the point of them being here, then.

No, I'm serious, literally why are they here if we don't get to see Shadow try to save them?? By the time the final cutscene rolls around, they start fading away back to their own time, and suddenly Shadow's like

(WHY ARE YOU SURPRISED, YOU DID NOTHING TO PREVENT THIS OUTCOME)

But I'll talk more about Maria and Gerald later - for now, since we're on the topic of Shadow having odd reactions to things, how about those stages and bosses, huh?

Well guys, I'm pleased to announce that despite there being dialogue in some of the stages, absolutely none of it provides context to the locations Shadow visits or his thoughts on them! If you didn't play Heroes and have no idea that Bullet Station is where Shadow found a destroyed Shadow Android, kickstarting a new layer to his identity crisis, then congratulations, this choice of level will mean nothing to you.

And before anyone tries to be like "the Sonic Generations levels don't get commentary from Sonic on their significance to him, either," it's a problem there, too. But it's an even bigger problem here, because they went out of their way to choose levels that have real emotional significance to Shadow and then proceeded to do nothing with it.

Isn't this the game where we revisit Shadow's story up until this point? Would it have been so hard to drop a line of dialogue indicating that Shadow's not thrilled about returning to Bullet Station? Maybe add a brief cutscene where he finds the same broken android from before, and says something like "hmph, I can't believe I let that thing make me doubt myself for so long," thus demonstrating his growth?

Here's a fun fact: Shadow has zero cutscenes that happen inside of levels. This is something Sonic beats him at, by having one cutscene that takes place in a level (Chemical Plant). This should not have been a high bar to clear, but they fell short somehow, anyway.

(Space Colony ARK doesn't even use the Final Chase music. The Shadow game starts out with a song exclusive to Sonic rather than him. He actually has more ARK-related music than Sonic does and they still didn't use any of them. How did they mess that up)

This problem only gets worse when they start pulling in levels from Forces and Frontiers - games that this Shadow hasn't experienced yet and wasn't there for, respectively. Once again, on principle, this is a cool idea! Shadow getting a peek into what his and Sonic's futures have in store? The confusion over when these events take place, if they're even connected to him like the others have been? Great stuff

And hey, if he's going to Chaos Island, and we saw from the trailers that the volcano is exploding in Act 1, then maybe we could even see Super Sonic fighting Knight in the background in Act 2! The debris from their fight could even act as platforming challenges, can you imagine how cool that would be? What will Shadow think of the advanced tech on the island, or of seeing Sonic fight something so massive? Surely this is a great opportunity to elevate Frontiers even further--yeah of course they don't do that.

No Knight fight in the background, which is... fair enough, I guess, but then why bother with the volcano exploding? It only does that moments away from when Sonic is about to fight Knight. Yeah, it looks cool, but we didn't need it. The more egregious problem is still the fact that Shadow has no observable thoughts or opinions on being sent to unfamiliar terrain in the future, though.

The bosses all have dialogue, though, which is a step up on a technicality and little else. Most of the dialogue from Shadow is just him being a self-aggrandizing badass who doesn't see any of the bosses as threats - even Neo Metal Sonic, who he should really not be so confident in beating all by himself, considering that he. didn't do that before. It actually took eleven other people to defeat Neo Metal, including Super Sonic, but I guess he just doesn't care at this point.

If they wanted to, it would've been easy to make him overconfident on purpose due to his new Doom powers, make an arc out of it, but no. Shadow's just Like This now, apparently.

There's a similar power scaling issue in Sonic Generations too, where Sonic can somehow defeat Perfect Chaos without his super form, but the game had dropped location-specific cutscenes so long ago that it was hard to feel like it was even canon at a certain point. The game never cared about making sense or really being anything, but Shadow Generations doesn't get that excuse. The bosses having the most mid-gameplay dialogue tells us that they're Definitely Happening, and so I care more about them as a result.

Which takes us to the moment that I truly realized that this game had no interest in doing anything with its material: the Mephiles boss fight.

Shadow: "What's this? A seal of some sort?"

Okay real quick before I get into my big issues with this fight: I know it's a magic glowing artifact, but what about it actually looks like a seal, specifically? Does Shadow just have a sense for this kind of thing? I don't recall him ever demonstrating that ability before.

I feel like this line is just here to clarify what it is for people who don't know, but since Shadow also doesn't know, it's just kind of weird. I'm not even sure why he's in the Scepter to begin with, considering that Shadow's sealing attempt in this room was a failure, but whatever.

Of the three bosses in Shadow Generations that precede the final boss, Mephiles is the only one that can both speak and had a relevant dynamic with Shadow that would be interesting to revisit. The Biolizard is cool but doesn't have a personality, and Neo Metal had no real opinion on Shadow. (In Rivals 2, Shadow and Metal Sonic have a developing friendship, but this has unfortunately never been brought up again. If they did so here, it would only have been on Shadow's end, since Metal hadn't gotten to that point yet.)

But Mephiles? So much of his character revolves around Shadow. It was Shadow who sealed him away originally, and it was Shadow's form that he took when he broke free. He's the main antagonist of Shadow's story in 06, and even though his primary goal is rejoining with Iblis, he takes a vested interest in trying to manipulate Shadow over to his side by showing him the worst of what humans will do to him - not unlike Black Doom, honestly, though he was focused on Shadow's past instead.

Plus, it's been so long! We thought we would never get to see Mephiles again! What have you got for us, game?

Mephiles: "I will defeat you, then restore myself to the timeline." Shadow: "I don't know what you're talking about, but I will crush you all the same." Mephiles: "What? Did you forget about me AGAIN?"

*deep sigh*

Contradictory dialogue back-to-back. I see. Cool.

Mephiles should not be surprised that Shadow doesn't remember who he is, because he literally JUST SAID that his goal is to restore himself to the timeline. He KNOWS that he never existed, and therefore SHOULD KNOW that nobody he encounters will remember him. I'm convinced that he only reacted this way because the writers thought it would be funny, and that's it.

Even if it made sense, though, Mephiles isn't supposed to be funny. He's supposed to be ominous and threatening. For as much care that went into recreating this environment and his powers/body language from 06 (and I gotta say, this whole section looks extremely nice), none of that same care really seemed to go into his personality. He's just as drab as Neo Metal, occasionally repeating lines from 06 so that you know they played it and not much else.

The end of the fight features some absolutely unhinged dialogue from Shadow for no reason, though.

Mephiles: "No... I want... to exist...! Shadow: "There is no future for you. Ever."

Look, I get it, they've done nothing but fight this whole time . But Shadow has no personal beef with this guy. Even if they're going with the idea that Shadow wouldn't care to learn what Mephiles is rambling on about (kind of boring, and why wouldn't he be curious about why someone like this has it out for him), there's no reason to go so far as to say he'll never have a future. Is this the "dark" part of that "dark warrior" thing they were talking about in the beginning?? Kind of a random place for it to jump out of him, if so.

The kind of intensity coming from Shadow here would be justified if he remembered who Mephiles was, but he doesn't. As it stands, it gives off the impression that he didn't actually process a single thing Mephiles said about wanting to exist and restore himself to the timeline, and just said the first cool, edgy retort that came to mind. Which makes the sentence both less cool and even more out of character.

After this boss finished playing out, all I could feel was disappointment and a creeping sense of emptiness. If this was how the game was handling Mephiles, of all characters, if this was the extent of what they were willing to do with an idea... the rest of the game suddenly seemed much less exciting. I got to this point, realized how comparatively little of the game was left, and thought oh no.

Now, uh... where was I in the story, again?

Oh right, Shadow was about to go save Maria. I actually have no notes on that scene, it's pretty good and I liked that Maria was immediately thrown off by his aggressive fighting style and whatnot. It implies a lot about what Shadow used to be like without really showing or telling us, and that's pretty neat.

The following cutscene where Gerald explains how Shadow's growing powers only make Black Doom stronger in the process is also fine, there's nothing super specific for me to gripe about it in isolation.

And this good streak it has going is immediately interrupted by the worst, most nonsensical scene in the entire game.

Sonic: "I found you, Shadow!" Shadow: "The blue hedgehog... of all places..." Sonic: "You have something I need." Shadow: "You can wait until my business is finished." Sonic: "Yea sorry, but that Chaos Emerald and I have a date with a monster!" Shadow: "Well then, it'll be a date to die for."

This is. a really stilted conversation, no matter what way you look at it. On one hand, it's repurposed dialogue from two different scenes haphazardly mashed together, neither of which should represent their current dynamic anymore since they were both antagonistic at the time. And on the other, it just... completely lacks character from both of them. They're so unbelievably dry despite their attempts to sound quirky, it's actually impressive.

I have to ask - have the script writers not heard the incessant complaints from fans about there being too many references in modern Sonic dialogue?? Because this scene plays out like an actual parody of that trend, the kind I would expect to see on twitter or something. I initially saw the animation for this cutscene without audio due to leaks, and I thought it looked pretty cool because the animation was nicely done.

Boy, when I tell you I was stunned to discover that THIS was the actual, official dialogue. What happened here?? Why is this what Sonic cutscenes are turning into?? In a game that costs $50-$60??And people are saying it's the best Sonic game???

Somehow, the god-awful dialogue isn't even the only thing that's wrong with this scene, but I'll compile the rest in bullet points to speed it up a little.

Shadow suddenly shows up in Sonic's section of White Space, despite it not being visible from a distance and therefore giving no reason for Shadow to venture out that far

Sonic says he "found" Shadow as if he was looking for him, even though the only people Sonic has seen here other than his and Tails' past selves are people who were at his birthday party

Classic Sonic is neither seen nor mentioned despite the extremely fun potential of having him interact with Shadow

A purple portal conveniently shows up in front of Sonic and Shadow while they're talking for no reason

The boss fight with Sonic is just a cutscene (lame), and Shadow gets taken out completely by one solid bonk from Sonic (even lamer)

The fake Chaos Emerald switcheroo, while clever, is presented as if it was done deliberately when it was clearly a coincidence that it got knocked out of Shadow instead of the real one

(I guess this technically happens before the Mephiles fight so my faith in this game was already plummeting, but I was willing to tolerate this scene being bad because I could understand them not wanting to add too much to Sonic's side of things. They had completely free reign with Mephiles and still delivered nothing, which is why it really cemented itself in my head)

The one thing I really liked here was seeing Shadow almost use his Doom powers to defeat Sonic, deciding against it, and his hesitation being what lost him the match. Shadow refusing to fight Sonic on unequal terms is some really good characterization that I was happy to see.

Black Doom: "The promised time is nigh upon us, Shadow. Soon, you will be mine."

So did we ever learn what the "promised time" was, exactly? I've played every route of Shadow the Hedgehog (some more than once) and still can't remember. If he's referring to the time when Shadow awakens his full power then I guess it makes sense, but otherwise it's kind of an oxymoron considering that time doesn't exist in White Space.

Gerald: "He has grown a new body, and used the nebulous nature of time in White Space to accelerate his plans for revenge."

Shadow, buddy, your animation is positively kickin' right now but Gerald, I'm gonna need you to do literally anything other than just repeat the same lackluster explanation we got earlier as if that's going to make it any less confusing. What ABOUT the nebulous nature of time? Is time not largely just frozen here?? We're somehow around 3/4s into this story and I still have NO idea how anything works

Maria calms Shadow down from his frankly justified anger by holding his hand and talking about how she doesn't want him to be driven by darkness. They find a way to throw in the fact that apparently Maria named him "Shadow" because the presence of a shadow can show you where to find the light, and it's... nice? Very wholesome, but it feels awkwardly placed and I'm not sure anyone was seriously asking why he was named that. Like, of all the questions to spend this game's limited screentime answering, "why is he named Shadow" was probably not at the top of most people's lists.

And before you have a chance to think about it, we're already at the endgame.

Shadow: "I'm letting go of that destructive anger."

Wow, and in the very next scene after it was brought to your attention, too! You sure do grow fast, Shadow!

Okay, all jokes aside, there's not much I can say about the pacing in this game other than It's Rushed and Bad, but I think it's finally time to talk about Gerald and Maria.

Gerald first: He's mostly just here to give out exposition. His relationship with Shadow is much less focused on than Maria's, which I find to be really frustrating because I always had a lot of questions about how those two interacted. In SA2, we only know him as a grieving, hate-filled man who was heavily implied to have scientifically messed with Shadow's mind - not long after they had both just lost Maria - in order to make him inclined towards Gerald's revenge plan.

In Shadow's first game, we see a side to him from before then, when he really seemed to care for Shadow and we got some clarity on the purpose of the Eclipse Cannon and whatnot. But what were their average interactions like? Who was in charge of Shadow's training? If it was Gerald, did that ever create a sense of distance between them? Shadow never has warm, nostalgic flashbacks of him, so I assumed their relationship either wasn't as close or he has too many conflicting feelings now for those memories to be very comforting.

This game decides to lean into Gerald being a kind, supportive man, but regardless, Shadow's feelings should be a lot more complicated, no?

I'd imagine that, in a way, it's a relief to have this Gerald around again. It would make it easier to pretend that the man who used him in an attempt to destroy the world and go against everything Maria stood for was just... a fluke, or something.

But still, Shadow knows that he would do bad things to him if Maria died. It's already happened.

Dark Beginnings also suggested that either Shadow was there when he shot down by the firing squad (unlikely given the context), or he watched the recording that played at the end of SA2 enough to be able to see it in his dreams. Neither of those are good for his psyche, and would only add to the number of emotions he has to suppress whenever they interact. There is, of course, none of this nuance within the game itself, despite it being right there and ready to be worked with.

Then you've got Maria, and. hoo boy.

I take no real issue with any of Maria's traits that are on display. Her being a nice girl with boundless energy and goodwill does not make her boring, and I've always been fascinated by her character. So, I need you guys to understand that it's with a heavy heart that I must say that Maria is... barely a character in this game.

And like, she doesn't exactly have a history of being deep or complex. But we've also only ever seen her in Shadow's memories up until this point, and that means this game was a unique opportunity to flesh her out more.

When a character is as idealized by another as Maria is by Shadow, and we only see them through that lens, it's natural to assume that the depiction isn't completely accurate. I was never in doubt that Maria was kind and gentle, or that she was always there to help Shadow when she knew he was struggling, but I always wanted to know what she was like outside of that. What makes her angry? What was she like on a bad day, when she inevitably got frustrated at her lot in life? How did Shadow comfort her? What was her sense of humor like?

While we technically learn more things about Maria in this game, there's never a point where she acts differently from Shadow's vision of her. She's not really shown to have flaws, and she's only really there to be saved and offer emotional support. It's like... a textbook example of what you shouldn't be doing when writing a female character, having her be defined entirely by her relationship with the male lead and never speaking up or complaining about her own problems or feelings. They don't even make a point out of it, that Maria tempers herself to be "perfect" for other people or anything like that.

Why don't we get to see how she and Shadow would handle an argument or something like that? Especially this Shadow, who's all shaken up by everything? Wouldn't it be beneficial for both of their characters for Maria to be seen as herself, the way she was in life, rather than just the nicest moments she and Shadow had together?

I'm gonna make a comparison here that people aren't gonna like, but... I think Elise is honestly shown to be a more nuanced character than Maria is. And this is coming from someone who thinks that she was also mishandled in her game.

Similar to Maria, Elise is genuinely a deeply caring person, and lives mostly isolated with a condition of sorts that makes her life difficult. Her most important relationship is also with the male lead of her respective game, but she doesn't exist solely for his benefit. (Amusingly, Sonic actually seems to be there primarily to further her arc, so it's a bit of a role swap there.)

But we see more from Elise than just Being Nice all the time. We see her being resolute and bold in the face of danger, or disappointed when she has to go back to the castle. We watch her try her hardest not to cry and retain her strong, regal exterior when faced with overwhelming emotion.

We get to see her open up and laugh and become more confident, we watch as someone who's been forced to put her feelings aside for the convenience (and safety) of others her whole life finally break down and shout something selfish for once. And then we watch her ultimately choose to do the right thing, anyway. Her strength of character is shown to us by putting her in situations that challenge her, and the narrative never once shames her for being imperfect; it's actually encouraging her to be her real, flawed self.

Why does Maria not get this same treatment? Why don't we get cutscenes of her being excited about the new environment she's in, or frustrated that her symptoms are making it difficult to do anything here? When does she get to be selfish? Why can't she get upset at people treating her like she's frail, even if it technically "makes sense" for them to do so?

We're told, in Gerald's journal, that some of the people aboard the ARK doubted that Maria was really sick due to her symptoms not being clearly visible. Because it's his journal, we only get to hear his feelings on the matter, but in the full game, we never once get to know how it makes Maria feel, the person this is all about to begin with. They absolutely could have incorporated this into a cutscene somewhere, but they didn't.

Once again, I have to ask: what is the point of Maria and Gerald being in this game if this was how they were going to be written? Not only does Shadow fail to even attempt to save their lives, he doesn't even walk away from the experience with renewed understanding of who they were as people.

So what even happens in this story, then?? Every single aspect of it is dragged down constantly by the game's refusal to do anything with what it has:

Shadow revisits places from his past, but has nothing to say about them

Shadow visits places from the future, but has nothing to say about them

He has nothing relevant or interesting to say about any of the bosses

Mephiles trying to restore himself to the timeline is a plot point that exists solely within his boss fight and nowhere else

He doesn't struggle with any of the bosses, emotionally or physically, turning them into a boring power trip

He barely struggles with his Doom powers, the things that are supposed to be giving him an identity crisis

Sonic is not a playable boss fight and he also says nothing relevant or interesting

Classic Sonic doesn't even get a passing mention

The Team Dark friendship is supposed to be a highlight but Shadow never speaks to Omega, who also never shows up in cutscenes, and Rouge is just kinda there

Maria and Gerald never meet Rouge and Omega, or anybody else on-screen, despite it being extremely easy for them to run into each other

Shadow's relationships with Maria and Gerald are barely explored past their surface

Most importantly, Shadow is never shown making any sort of effort to save Maria and Gerald from their fates, despite it being one of his primary goals

...Oh yeah, I forgot to complain about how Shadow barely struggles with his Doom powers. I was gonna go on a whole spiel about how it would've been super easy to make into an arc and how it was wildly underutilized despite being a major selling point of the game, and the only real consistent conflict whenever Black Doom isn't on screen.

Well. Anyway. Once the White Space becomes Red Space (something that once again makes me question how far away Sonic's area is, to not be able to see this happening), Shadow magically gets over his "destructive anger" and goes to Radical Highway one last time for the epic final boss.

And it certainly is epic, I can't deny that. A massive technical improvement over the first fight against Devil Doom, and I'm not about to sit here and act like the wings aren't cool. But I can't say it feels very rewarding, since I never really understood what was going on and Shadow didn't really struggle that much to get to this point. Not to mention, he's still acting all high and mighty during boss fights, which makes it feel stale really quickly. Black Doom isn't really that interesting by himself, so Shadow kinda needed to carry that fight, but no, it's just more of the same.

One last point before I wrap this up:

Where was Emerl???

Correct me if I'm wrong, but a promo animation for a game should, in theory, provide you some idea as to what kind of things to expect in the game itself. While a lot of them take their share of creative liberties, I don't think they're in the habit of putting spotlight on entire characters who never appear in the game at all.

This is THE GAME where we bring back the people from Shadow's past that he's lost, and Emerl most certainly qualifies. He's from the more recent past, yes, but Shadow still cared about him and absolutely would have been affected by his death. There's no way that, had he been in the story, Shadow wouldn't have been determined to save him as well. But no, he's just there to be a cool lore detail in Gerald's journal.

Which means this is yet another depiction of Emerl where we refuse to acknowledge his personality. Do they seriously think Emerl is more interesting as an emotionless killing machine that Gerald researched in his spare time? Where's the fun-loving kid who mimicked everyone around him, splicing things he heard them say together to communicate and creating funny tonal whiplash? Where's the robot with the soul that Gerald gave him, that was nurtured by Sonic and his friends?

Not in this game, apparently! They went out of their way to canonize Battle and still managed to treat it with zero respect. Kind of impressive, really, and just another footnote in the trend of this game not actually caring to do anything with Shadow's past.

There are definitely moments in this game that I like, but that's kind of all they are: moments. The game's total cutscene runtime is around 30 minutes, and that means there's not enough time in any of them to get anything done. A scene that's good in isolation is tainted by the fact that it's all there is.

And it's just... so baffling to me. There are so, so many points in this game where you could have fit additional cutscenes in. We could have had one after each act, or at least after each level. Give us more cutscenes after activating things in the hub world or something. I mean, a game that claims to be this story-driven doesn't usually need an excuse to throw cutscenes at you, and they certainly didn't need to force each scene to be so unbelievably short.

If they really needed to downsize on cutscene length for some reason, then maybe they should have just made a less ambitious story. The game wants to do so many things at once, but it doesn't have the time to do any of those things justice. We could have gotten a short, sweet, well-done little story, but instead we get a story that easily needed at least two hours to tell crunched into a measly 30 minutes.

I mean, Dark Beginnings in its entirety is half the length of the full game. Think about that for a second.

This game's story was supposed to be something, man. It's getting so much praise for what feels to me like the bare bones structure of a story, and it's frustrating because I know this series can do better. The writer of this game can do better, and I know that because I've read his other Sonic material and it feels much more complete than this does.

I was genuinely looking forward to this game, is the thing. I really didn't think it would be this lackluster, because like I said at the beginning of this post, it had everything in the world going for it. But no matter how nice it feels to have a Shadow who isn't wildly out of character for once, that alone can't carry an entire story.

Shadow Generations is a mess of good ideas executed in the least interesting, most nothing way possible. Its only real saving grace is its animation, and the fact that Shadow generally feels like himself.

Except for when he's talking to Sonic. What the heck happened when he was talking to Sonic

#sonic the hedgehog #shadow the hedgehog #sonic x shadow generations #sonic x shadow generations spoilers #sxsh generations #sxsh spoilers #sxsh generations spoilers #analysis #meta #This uh. might be my longest post ever??#I didn't go into this planning for it to be 7000 words but I just kept finding new things to ramble about #And of course I just wanna say that this post is NOT here to tell people that they can't like the game's story #I just needed to air out all of my issues with it because I felt like I was going insane

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nexus-nebulae · 4 months ago

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i think this is possibly the best night I've had all year or maybe even in the last three years

#OH MY GOD THIS WAS SO FUN #the band was so fucking nice they signed the poster i got and gave me fistbumps as they walked off stage #i told them this is my first time ever going to a live show and they were like REALLY???????#they talked about how they can see the playlists people make out of their songs on spotify #and one of them mentioned one of ththeir favourites was named something like piratecore: bisexually coded lmao #and everyone was really nice about the wheelchair #i couldn't get in the front door (STEP) but they let me in through the side door #and Slightly early as well because i was really worried about my wheelchair's electronics in the very sudden thunderstorm that appeared #someone found me a spot so i could see and they were really really nice #i got a poster of my favourite album cover and it looks very nice #someone here was wearing the same shirt as me LMAO #i was sitting there like 'idk what to wear to this i hope i don't look weird' and then Everyone had an similar style as mine LMAO #ive never been to something like this before so i didn't really know what to wear but floral button up and rue21 cherry blossom shirt works #there were a lot of moments where the crowd was singing along which i liked bc i love to sing along to my fave songs #small bar live shows are now one of my fave things to do i think. i hope the next one i see is as fun #i definitely prefer this to an 150$ ticket stadium show or something #i nearly went to see idkhow later this year but that ticket price goddamn #mini update: i found the playlist they mentioned LMAO #piratecore? did you mean: bisexual culture

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c0rpsedemon · 10 months ago

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oh yeah. the reason why i decided to reread tbhk (and thus it was able to hit me like a truck this time around) was actually not bc of mitsukou going canon but actually bc i maybe accidentally started a tbhk book club w my kids at work and wanted to check the contents of it justttt in case before i put the books in their hands

#tl;dr i have this one 4th grade boy who's a total weeb and knows that i'm the only one in this town who's more into japanese media than him #so he pesters me abt it every time he sees me. and the thing abt this kid is that he gets bored easily and if he does he turns into a #complete menace. now a couple weeks ago. he shows up at the program w one piece volume one and spends the entire time he's there peacefully #reading and not causing any problems on purpose. my coworker owen (the one who climbed onto the roof) and i were shocked and in awe of how #peaceful he was being and came to the conclusion that he NEEDS to have a manga volume in his hands at all times. few minutes later.#he finishes reading and isn't bored yet so he decides to go talk to me abt manga. specifically he starts pestering me abt what shonen i've #read despite the fact that i am a shoujo reader and told him that. but he knows i've read kuroshitsuji bc he previously asked me abt what #the worst anime i've ever watched is and i will never not take an excuse to drag the adaptation. and he figures that if i've read kuro i've #probably read more. and so i mention tbhk and he asks more abt it bc of the name involving toilets and him being a 4th grade boy so i give #brief overview and he wants to read it. and i come up with a scheme to make him peaceful AND to give him something to talk to me abt which #isn't 'i know you've read more shonen manga' 'let me gacha on your phone' or 'i saw an ad for rent a gf. thought it was lame. and now want #you to tell me how it sucks bc i assume you know everything abt every animanga ever' (<does unfortunately know too much abt rent a gf bc i'#a bit of a nosy bastard and watched the mother's basement video). so i offered to bring it in bc i own physicals of the whole series and of #as previously mentioned. gave it a quick reread in advance just in case. and got hit by it. hard. i love you tbhk almost as much as i love #when ppl get into things through me. honestly i think getting to live vicariously through him might be one of the main reasons it got me #this time around and not as much the first time (still loved it the first time though). flash forward a little while. one of the 3rd grade #girls is like. really into reading. and also macabre things. like ghosts. and she has two books from the school library. and has had the #same two books from the school library for over a week. she reads quickly and finished them both in under a day and is now bored out of her #mind rereading them. she asks to read the books i've been letting the other kid read. now there are two of them #romeo.txt

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foldingfittedsheets · 4 months ago

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When I was working at the sex shop I was pulling poverty wages. I loved my job but I was on food stamps and still barely getting by. When they hired the stores first male employee and he started at my pay rate after I’d been there for three years I quit.

I was initially really nervous when I saw the post for the mattress job. It listed a pay scale that I couldn’t even conceptualize and I appeared qualified. When I got an interview I was over the moon but also petrified. Reactions to my line of work often varied but most people were very embarrassed or skeptical. I worried about how I’d address it in the actual interview.

I lived far to the north of their headquarters and drove almost two hours to get there. When I finally arrived it was in the nicest thrift store clothes I could find, but I shrank inside to see a room full of older white men in nice suits waiting to be interviewed for the same job.

Why did I bother? I was decades younger than anyone else in the room, shabbily dressed, and I suspected I was the only afab person in the entire building. I stewed in my insecurities until I was called in.

The second I met my interviewer I was instantly put at ease. The man had the energy of a therapy dog, he was abound with positive, good natured energy. He was also incredibly beautiful. I grinned back at his welcoming smile as we said our pleasantries. But still. This very beautiful polished man seemed very innocent. How would the sex shop question go?

“I see here you worked at STORE?”

“Yes,” I said hesitantly.

“And that was sales? Or you just rang people up.”

“No, it was sales. I’d help people find products, we were encouraged to upsell, there was sales spiffs, and most importantly we educated customers on products to help them find what they liked best.”

He grinned approvingly and asked, “Can you give me an example of a time you successfully upsold a customer?”

I paused, wringing my hands before I asked, “How vague would you like me to be…?”

“Not at all!” He assured me. “Go for it!”

“Well. A man came in looking for something to make his fingers vibrate so when he was touching his wife it would enhance that sensation. We had cheap $10 cockrings that I showed him first. But we had a rechargeable waterproof one made of nicer material, and after I showed him a demo he bought that one.”

“How much was that one?”

“$110”

“Wow! You had an upsell of 100% from what he came in looking for! That’s incredible!”

He was so truly genuinely stoked and not at all embarrassed that for the first time I saw a tiny glimmer of a future where I didn’t have ramen and peanut butter tiding me over between paychecks.

He asked me to wait then came back to tell me he liked me so much that he wanted to send me right into another interview, if that was okay. He didn’t want me to have to drive back later, it was terribly considerate and exciting. I beamed and told him it would be lovely.

I then had the second worst interview I’ve ever had. The worst goes to the time I applied to be a store manager for a pet food place years later. The district and store manager interviewing me passed notes and texted while I was speaking. When the district manager called to inform me I didn’t get the job I told him I’d never have accepted anyway because I’d never had such a disrespectful interview.

The new man sitting behind the desk radiated an aura of a brick wall. As someone with anxiety I’m highly keyed into the emotional states of people I’m talking to. To receive no feedback at all was my personal hell. After a perfunctory greeting he asked me with no inflection to sell him a pen.

I gathered the shreds of my courage and attempted the Herculean task he’d set me. Through my whole improvised spiel he resisted all attempts at engaging him, regarding me with a cold apathy as I touted the benefits of my fictitious pen.

Halfway through I broke into a cold sweat. My smile didn’t waver but it grew strained as I projected friendliness and warmth into the black hole of his heart. My thoughts scattered and my sales pitch grew redundant in the face of his nothingness. I finally concluded with a hard close and he simply nodded.

He glanced at my resume and commented, “You didn’t ask me to touch or hold it. Though I suppose I can understand from your previous line of work why you wouldn’t.” I shriveled and died inside knowing that I encouraged people to touch dildos all day long and had been too frazzled to offer him the pen.

He bid me a cool farewell. I made it to my car before I started sobbing. I had never been so rattled. I couldn’t understand what I’d done to make him so unfriendly or if my threadbare clothes were what had made him treat me like dirt. I drove an hour and a half to get home, weeping intermittently.

I was therefore taken by complete surprise to receive a call the next day inviting me on board for their five week training program. The first man who’d interviewed me gushed on the phone about how the second guy had loved me and that I was going to be fantastic.

I was in shock. When I showed up to training the second interviewer was charming my new classmates, beaming and laughing. He was an utterly different person. To my dismay I learned he was the trainer for my district and would be my point of contact if I made it through training.

He joked with me later that his interview facade was just a tactic to see how people held up under pressure and I filed him into a category of my deepest enmity. I never forgave him for how small he made me feel that day, but I never showed him the depths of my fury.

I aced every test and went on to be valedictorian of the eight people who had survived the rigorous training process to earn a sales position. When I got my first paycheck I bought myself new clothes, the first non-thrifted things I’d owned in years.

#ramblies #ffs foibles #writing #story #interview #job interview

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homunculus-argument · 3 months ago

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Sometimes in therapy I feel like I don't have trauma in some correct sort of way. Like I'll be explaining that my childhood wasn't even really traumatic, just kind of bleak and boring. The worst my parents ever made me feel was disappointed, but not surprised. it was all so very mundane. And whenever some therapist asks me what I mean, I'll tell some random story that I happen to remember off the top of my head of what my childhood was like, or one that I think illustrated what kind of people my parents were and what their relationship was like.

Like this one time I remember when I was like 10 or so, I can't remember where we were going but the whole family was getting into the car, and dad started bitching at mom about how come when their first car was in his name, it was their car, and then when they had their own cars they had his car and her car, but now that they only have one car again, it's still just her car.

And then mom bitterly pointed out that the reason why he doesn't have a company benefit car anymore is because he lost his lisence for driving drunk with the kids on board while she was on a business trip. (And while mom didn't bring it up at the time, he had also tried to cover this up and act like nothing had happened. And she wouldn't have found out if my (11/12-year-old at the time?) sister hadn't thought of calling one of mom's friends like "hey cops showed up and took dad so we're home alone now idk what we're supposed to do now" and she came to watch us and told mom.)

...And I was like 10 and sitting quietly on the back seat listening to them bickering about this because they still both bothered to be mad about it. Not mad enough to get divorced or anything, but still bitter enough to bitch at each other about each other. And a therapist will be like wow how did that make you feel, and ???

Bored of it? Disappointed, but not surprised? That was just what life was like. Quietly waiting for bitter adults to be done bickering with each other because you can't do anything to fix this and while they could, they won't do anything to improve their lives. Life was just like that.

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bettsfic · 7 months ago

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one of the best decisions i've ever made was to stop arguing.

i'd always been an arguer. i was defensive about everything and mindlessly contrary. it wasn't all my fault; i was (and still am) talked down to and patronized a lot, and when you live your life that way, you become kind of a raw nerve and dedicate a lot of energy to trying to prove yourself. someone even told me once, "it's just fun messing with you. you get so upset."

at 23, i was working in an environment where about a half dozen middle aged conservative men were always telling me what to do and explaining things to me. i either argued with them when they said heinous things or stewed about it for hours or even days. and so my new year's resolution one year was simply: no arguing.

it felt a little like defeat at first, like i was no longer standing up for what i believed in, even though no matter how right i was or how much proof i had for my claims, no one had ever been swayed by anything i told them. part of that was because they had no respect for me and didn't take me seriously; the other part was the simple truth that arguments are almost never productive. when someone says something and you immediately reply with, "you're wrong and here's why," a wall goes up and nothing can go over it.

i couldn't just let these men talk at me though, so i started asking questions. not leading questions, not with an intention to prove a point or walk them into a corner. i genuinely wanted to understand how they came to shape the opinions they held. i realized that understanding and agreeing are two different things, and just because i seek to understand doesn't mean i condone.

a truly fascinating thing happened: these men walked into corners all by themselves. it turns out nobody had ever actually tasked them with speaking their opinions aloud to a neutral audience. no one had ever been sincerely curious about them and their views. sure, their loved ones probably asked, "how are you doing?" all the time as a show of affection, but that's much different than, "what do you think?"

knowing what i know now, i think that's true of everyone. how many people ask you for your opinion and listen to what you have to say without speaking their opinion back to you? without judging you? how many people actively and intentionally try to understand you?

it's been over ten years since my resolution and i think i can count the arguments i've gotten into on one hand. one finger, even. it's amazing what happens when someone tries to rile you up, pick a fight with you, and your only response is, "can you elaborate on that?"

you can work someone into a very open and vulnerable state when you ask questions. they eventually run out of their usual talking points and move into the personal. when i do this, it's not like therapy; i'm not trying to help anyone. and it's not like teaching; i'm not trying to educate anyone. i just want to understand how people reach the conclusions they've come to. even after all these years of asking questions and not arguing, it still amazes me how few people in this world feel understood, and how easy it is to get them to open up when you say, "i want to know what you think."

#writing advice

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gaysindistress · 9 months ago

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Things that I feel like would happen when you’re in a relationship with Simon Riley.

Simon Riley masterlist

1. First off he hates the word ‘boyfriend’.

Maybe it’s because he’s in his mid thirties or something but he can’t stand being called your boyfriend. He’s more than that but also not at the same time. You live together, have access to each other’s bank accounts (which is only because he hates it when you try to fight him about him giving you money), and you’re each others emergency contact. He thinks of himself as your husband. The man wears a silicone ring when he’s home and a necklace with the ring that’s totally not a wedding band when he’s working. Price has seen the chain once or twice and smirks, shooting him a knowing look but never says a word.

Simon cannot stand it when people get nosy and want to know what your relationship status is. You’re together and that’s all that matters. No one needs to know that you’re the beneficiary of his will and life insurance policy or that he’s put you on all of his accounts. No one needs to know that he buys you anything you want but has only ever bought you two rings; a thin gold band with a flower engraved on it and its twin a matching emerald ring. No one needs to know that when he gifted them to you, there were tears and promises of safety, love, and happiness whispered against feverish skin. No one needs to know that he has your name woven into his chest tattoo.

No one needs to know any of that because your relationship is between him and you only.

2. You are not some submissive little house wife. You are a strong independent woman and he prefers it that way.

I know this one goes against what most people say but hear me out on this. Simon has been independent since birth practically. He’s only had himself to count on for years. Even in the military, he’s only been able to rely himself. Sure the others watch out for him but if it came down to it, he’s the only one who’s going to get himself out alive.

The thought of someone else relying on him in that way is terrifying. He can’t even fathom what it would be like to look at another person and fully trust them in that way. Half the time he feels like he can’t even be trusted to take care of himself let alone another human. In theory a sweet docile housewife is great with the meals and clean house but not for him. He needs to know that you can hold your own. He needs to know that you can be independent and carry on without him if something happened while he was working. He needs to know that you will be okay if he doesn’t come back.

You have to be okay without him no matter how much it pains him to think about it.

Like I said before, he’s made you the beneficiary of everything so he knows you’ll be set financially but that’s not enough. He’s made Price promise to keep an eye out for you. He’s made you promise to let Price do that and you agreed because it’s Simon who’s asking but you’d tell anyone else to fuck off.

In addition to all of that, he’s installed the best security system the government has to offer in your house. You have a very expensive and large safe in your shared closet that he’s instructed you to only open if you feel unsafe. While you might not like it, you agree to go shooting with him so he can sleep at night knowing that you could protect yourself if he’s not home. He’s gone as far as to make sure you have all of the licenses and certificates that are needed to legally own firearms in the UK.

He’s not leaving any opportunity for you to be vulnerable or have your ‘safety checks’, as he calls them, taken away.

3. Simon Riley is a godless man…until he meets you.

Now this is entirely my own headcannon with no evidence to support it so bear with me.

Simon had a shitty childhood where his mom would pray to a god who never listened and his dad would shout verses at him when he was drunk. God was a mythical figure that he was told stories off with nothing to show for it. He did believe at one point but then his dad never got better, his mom wore bruises of every shade, and his brother found comfort in drugs.

He found himself praying when he was being tortured by the Mexican cartel. Between the flashbacks of his abusive past, he prayed to a god who had failed him so many times before to help him. He prayed again as he dug himself out of that Texas grave with the major’s jaw bone. He wailed his prayers when he found his family executed after Sparks tried to kill him.

After that he deemed himself a Godless man. Years of praying had passed with nothing. This god had decided that Simon was not worthy of a miracle so why would he continue to worship him?

That was until he met you. He finds himself praying before every mission, every time he has to leave you, every time he’s on his way home, and just about any other time he thinks of you. He doesn’t know what exactly he’s praying for other than for you to be there when he gets back.

He whispers his prayers to an absent god against your skin as he worships your body, soul, and heart. He promises to be devoted to you until his last breath and vows to find you again in whatever afterlife awaits you. He pledges to find solace in you and only you when his haunting nightmares return. He makes an oath to your heart that it will never weather another storm alone again for his will take whatever beating that comes your way. He shows you that he will love you in the same manner as a Hozier song; putting you above all else because you have become his religion, his faith, his beliefs, his life.

You have become all that he is and he thanks the god he once believed in for you. He prays again but to you, his heart, his love, and his beacon through the enteral storm of life.

#simon riley x you #simon ghost x reader #simon riley x female reader #simon riley imagine #simon riley x reader #simon ghost riley #simon riley #ghost imagine #ghost call of duty #ghost x reader #ghost cod #ghost #ghost x female reader

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sehnsuchts-trunken · 4 months ago

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(Don't You) Steal My Thunder

my tyler owens playlist 🤝 inspiring fic titles

Tyler Owens x fem!reader 7k words

summary: Tyler Owens is the most annoying man you've ever met. But he's set on getting you on his good side. And the more you get to know him, the less you can resist.

a/n: i had to research sm car stuff for this it's not funny. i now know exactly how to describe a truck bed though, so. that's fun.

again, my inbox is wide open <33 i don't guarantee anything, but you can always come talk to me or request smth

masterlist | twisters masterlist

Tyler Owens is the most annoying man you've ever met.

He prints his face on t-shirts, writes his autograph on mugs, comes up with ridiculous sayings ("Not My First Tornadeo" and "If you feel it, chase it" are really just the tip of the ice berg) and most importantly, he costs you the best shots of tornadoes every goddamn time.

Tyler Owens is a problem.

And Tyler Owens seems to have actively decided to make himself a problem too.

Which would be fine, if he flipped you the bird or told you to fuck off or threw his paper towels at you. Unluckily, those are rather examples of what you have done to him. Because it's not fine, not at all - no, Tyler Owens has decided that it's not enough to be in your way all the time, he has to seek you out and rub your nose in it.

Tyler Owens is the most annoying man you've ever met. He's cocky and he's arrogant and he's entirely too full of himself. He brags too much and calls you "weather girl" too often. He gets under your skin more than you would ever admit.

And, as if all of that isn't enough - Tyler Owens is the very epitome of handsomeness.

It's like god didn't just have a good day when he created Tyler Owens, no, god must have still been in the post-haze of the best head he'd gotten in his whole immortal life when he'd created Tyler Owens.

Because Tyler Owens has the body of a greek god and the face of a Hollywood actor. He's not a pornstar, he's who pornstars worship. He's the Prince Charming little girls dream of and the Christian Grey grown women lust for.

Tyler Owens looks like everything you've ever wanted.

But he's just such a fucking asshole.

You wish you could say you didn't care. You'd love to be the kind of woman who didn't even acknowledge him. But you're not. You're not. You watch his videos when you can't sleep, you chuckle when you happen to overhear his jokes, you ogle his back when he's turned away from you. Sometimes, you get so lost in staring at him that you realise too late when he turns back around, and then you have to act unbothered when he grins his fucking grin at you. That's mostly when you flip him off, desperately fighting to ignore the heat in your cheeks.

Not like it stops him. You honestly feel like it only spurs him on.

Something has to seriously be wrong with him. It's not his face. But something is seriously wrong with him, you're sure of that.

Something has to be wrong with him. No sane person would ever go tornado wrangling. No hate to the rest of his crew - they're nice, you've managed to hold a few pretty normal conversations with them here and there - but none of them are sane either.

Storm chasing is different. You keep your distance. All you need are a few well-placed photographs - and those you can get from a rather safe number of miles away. The weather channel doesn't care about close-ups (not really, anyway). They want something to show the people on their comfortable couches, up in New Hampshire or Maine, so that all of them can say to each other "What poor folks, wouldn't wanna live there" and nod in pity as they switch the channel to watch another blockbuster.

You're just doing your job.

The only problem is that it's hard to do your job properly when there's always that fucking red truck in the way, driving down empty roads right into the heart of the tornado. And because no one on the news wants people to see that and go "Well, can't be too bad if there's still cars on the streets!", in the last few months - ever since you'd volunteered to move back to Oklahoma 'So that we've got someone right in Tornado Alley and don't have to fly people out there every time' - the weather channel has only shown the first few minutes of tornadoes forming. The rest of your pictures and videos lie abandoned in the trash file on your laptop. Except for a few - a very, very few, very, very good pictures of Tyler Owens and his Tornado Wranglers. But those won't ever see the light of day either.

You'd be damned if you let anyone know that while Tyler Owens is busy disturbing your actual work, you're busy taking pictures of him shooting fireworks into tornadoes. Pictures that would make for some damn good headers (if you hadn't buried them far, far down your gallery).

This time is no different. You get a few amazing shots of the tornado forming – surely an EF2, maybe even an EF3 - before you settle in the driver's seat again, your window rolled down and your camera hung around your neck as you push down on the gas. Then, a few miles further, you get even better shots of the full tornado, of the first few minutes of destruction, right there, in the middle of an empty field.

And as always, of course, just as the tornado takes on full form, you spot that familiar red truck through the lens of your camera. It speeds down the pavement right in front of where you’ve swerved onto the side of the road and you snap a few pictures, just because you’ve got the trigger right underneath your finger. Honestly, something about that dirty red paint against the grey skies just looks too good not to capture. But then the truck comes closer and closer and starts to slow down and you let your camera sink.

Tyler has his window rolled down already when he stops the car. There’s that annoyingly handsome grin on his lips, the one that makes you want to slap him across the face.

“You’re too far away, weather girl”, he calls out above the rumble of distant wind and thunder. “The good pictures are down that way.”

“The good pictures are right here.” You lift your camera at him. “Maybe you just need to update your equipment.”

Tyler’s grin widens, but before he can throw another of those obnoxious retorts your way, Lilly’s voice rings out through the car.

“Hey, T, looks like it’s changing course. You should hurry.”

His eyes are still glued to yours, still glued so firmly to yours that it makes your skin crawl. You can’t look away, couldn’t possibly look away. Tyler Owens might just be a cocky asshole, but you’re only human. And the weight of his gaze on yours is enough to keep you stuck in place, clutching at your camera.

“We’re on our way, Lilly”, he drawls without looking away from you. “See you around, weather girl.”

The rest of the pictures you take land in your trash file with all the other pictures of the last few weeks. You’re laying in bed, your laptop propped up against a pillow, the empty plate from dinner on the mattress next to you as you sort through today’s work. That’s the good thing about the time difference – you’ve got until seven to send the channel the day's results.

By nine, you’ve showered, put on a dress you feel confident in and settled on one of the chairs at the local bar. You’ve been telling yourself you need to get out a little bit more – you’ve been living here three months now and you haven’t really made any friends so far. To be fair, your job has kept you out and about most of the time. You’ve spent more hours at gas stations to fill up your tank than you have in your own home. But now you’ve decided to put an end to that. You're a young woman in a new town, you can meet more people than just the cashier at the local supermarket.

So for the past twenty minutes, you’ve been nursing a mojito at the counter and talking to the bartender. She’s nice, she’s your age, she’s extroverted enough to keep sidling up to you after every time she has to excuse herself to do her job. That, and she tells you she’s grown up here, so she knows most of the people around. She’s just serving another customer – a long-haired, brown-eyed, hat-wearing country guy who’s already shared a smile or two with you – when someone rests their arm on the countertop next to you.

“Didn’t expect to see you here”, he drawls, all low, deep Southern accent and you recognise his voice before you’ve even tilted your head up and looked at him. His grin drips down onto his words and wraps itself around your mind.

Tyler Owens isn’t just annoying – he’s unbelievable. He's unbelievable and he’s here.

“So you’re stalking me now”, you say, as drily as you can possibly manage. You've been doing that a lot around him. Dead-panning everything. Schooling your expression into fake neutrality.

"I'm here all the time, weather girl", he grins. "If anything, you're stalking me."

You snort, but it's rather unfunny when you think of all the videos you've watched, hours after they'd been livestreamed, cuddled up in your bed until midnight just to stare at his face. He's not that far from the truth.

"In your dreams, Owens", you say anyway, dragging your eyes back towards your almost empty cocktail glass. You wrap your lips around your straw and drain your drink entirely. What you say and what you do, none of that matters in the end. All of this is just show. Every conversation you've had with Tyler Owens in the last three months has been nothing but a performance. Other than your name, you don't think a single sentence out of your mouth has been honest. Not when it comes to him.

"Let me buy you a beer" is the only answer you get.

His grin widens when you look back up again - so cocky, so unbelievably cocky.

"I don't drink."

You push your glass an inch further down the bar top. Tyler raises his eyebrows. Fuck, someone really needs to kick him in the face. You can't keep having all these little heart attacks whenever he's close enough that you could touch him if you wanted.

Not that you want to.

"You're drinking right now", he says. You rest your palms against the bar top and blink at him.

"I don't drink with you."

He lets out a chuckle, one of those deep ones that settle right in your chest and make it hard to swallow.

"Just this once?", he asks and in all honesty, for just a second there, you actually consider giving in. He's too handsome for his own good. You really need to get it together. He's an ass (what an ass, goddamn). And he's insane. He's an insane ass. Sometimes you have to remind yourself of that - those times like now, when his piercing eyes and his kissable lips and his rugged stubble and his broad, broad shoulders and his drawled voice overshadow everything else.

"Don't you have some livestreaming to do?", you ask, hoping it still comes across just as sarcastic when you're the slightest bit distracted by how gloriously tight the sleeves of his flannel are. "Go chasing tornadoes, not me."

His grin widens inexplicably further. You're sure that if you were in a comic, there'd be a lightbulb flashing above his head right about now.

"Well", he drawls, "if you feel it..."

"Don't you do that shit to me, Owens."

He's raising his eyebrows again, raising his eyebrows as you clasp your hand around your empty glass so hard your knuckles turn white. But you're serious. Just as you'd lost yourself in the view of him, that angelic, sinful view of him, he'd gone and reminded you why you were so adamant to keep your distance. If you feel it, chase it. Ridiculous. Obnoxious. He's an arrogant, know-it-all, suicidal job-wrecker. He's the guy with cameras pointed at him everywhere he goes. He signs mugs and selfies and hats and shirts and bras. He's the reason you haven't gotten a single un-edited shot of a fully formed tornado in the last three months.

"You're not a fan of my catchphrase, weather girl?"

He can't even pretend to look wounded (even though he tries) with how big the grin on his lips still is. You stare right at him, dead-eyed and unflinching.

"I'm not a fan of you."

Lies slip off your tongue so easily by now that you wonder when you'd become morally compromised enough to not even care anymore. It must've happened somewhere along the way, sometime between the first conversation you'd had with him and the one you're having with him right now.

"You wound me", he grins, his palm pressed to his chest.

For the first time tonight, you allow yourself to grin back at him.

"I try."

With that, you slip off your chair and wave the bartender goodbye. You're already two steps away when Tyler calls after you.

"I'd still buy you a beer."

"I'm still not drinking with you", you call back. You don't turn around again. You just make your way back to your car and mark the evening as a half-successful night of socialising on your to-do list.

...

You see him again first thing the next day. Of course. Because there's no tornadoes without the Tornado Wranglers on their tail. By now, you're used to it. You wave at Dani as they come back out of the store at the gas station you're waiting at. They've got both arms full of coffees and for a second, you consider offering your help, but then you hear Tyler shout something out of his car and you suddenly don't feel any desire whatsoever to get up. You've sat yourself down in your truck bed, your camera slung around your neck and the radar on your lap. If all goes right, you're hoping for a tornado to form a little to the east from here. And as much as you dislike Tyler Owens, the fact that he's here soothes your nerves. Where he goes, there's sure to be tornadoes close by.

The few times you hadn't seen him had never ended well for you. You'd missed an EF3 your second week here just because you'd followed the wrong hunch. Meanwhile Tyler, of course, had been in the middle of it.

This might just be the one singular situation that you welcome seeing his red truck around. As long as you can manage to overtake him on the road after.

It's not that you need to be faster. You don't need to reach the tornado first. You don't even take the same way as him most of the time. He wants in there, you just want a sensible picture. Still, you can't help but feel a pang of disappointment every time you hit the brakes and jump out of your car, miles away from the actual cell as Tyler speeds down towards it. You've been telling yourself that it's because he ruins your pictures. It kind of is.

"Hey, weather girl!"

You let out a resigned breath as you tilt your head up and squint against the sun. He's still in his truck, his window rolled down, his elbow propped up against the car door.

"What do you want, Owens?"

Your fingers itch to reach for your camera. It's a visual, him in that fucking car, leaning out of his window with the sun peaking out behind him. But you can't, you can't take a picture of him this openly. Even if you were to argue that it's just the light you'd wanted to capture.

"To give you some advice", he calls out, his lips pulling into a grin. You raise your eyebrows at him. "East isn't gonna work out. Wind's changing. Go south."

He throws you a mock salute and hits the gas before you can say anything else.

Not that you'd been about to.

Instead you just curse to yourself, jump off the truck bed and throw your treacherous technology into the passenger seat with a little too much vigor. Fuck this. You sit at the steering wheel and stare out at the sky for exactly two seconds before you make your decision. Then you start your car and drive south.

You may not be a fan of Tyler Owens, but you've long since admitted to yourself that this man has got a gift. He has an unbeatable instinct when it comes to storms. And sure, you have your fair share of knowledge, but in the end, you're a photographer, not a meteorologist. You won't miss a day's work just because you're too proud to listen to Tyler.

You're a little further behind, but you can spot his truck and guess that he's driving straight on into the cell today, so you take a right and decide to try your luck with the side of the tornado. Not being right in its path doesn't sound too bad anyway.

You actually manage to snap a few well-placed pictures. You don't know what Tyler's doing, but it seems like he's not shooting random shit up the cell today. You'll watch the stream later - you're just the slightest bit curious now what's happening with them. Maybe they're doing some old-school chasing? Or maybe they're doing a challenge. Maybe Tyler is driving blindfolded. At this point, who knows.

It's good for you though. It's a considerable tornado today, an EF2 at least, and you only spot Tyler's red truck again when the cell moves further down the fields, away from him. It doesn't look like it's gonna disappear anytime soon. Maybe today's your lucky day.

Half an hour later, you're sure you've got at least a dozen pictures of the fully formed tornado, long touched down and without the red truck in the way.

You're just packing up your things, already sifting through the photos on your camera, squinting against the sunlight, trying to both tug the zipper of your bag closed and hit the right buttons at the same time when Tyler pulls up next to you.

"You look busy, weather girl", he says, already grinning that damn grin again.

"I am", you say - truthfully, for once. You let go of your bag and lower your camera. You're hesitant, but... "Thanks for the tip."

"Anytime", he grins. "Just do me one favour."

You already know this can't be good. Not with that cheeky look on his face. But he'd just saved you from chasing hot air (quite literally), so he deserves a little treat. And you don't want unsettled scores with Tyler Owens.

"I want to know what favour that's supposed to be before I agree", you say anyway, because with him, you can never be too careful. And in the end, you're only willing to do so much. (Though for him, you'd already do a lot more than you'd admit. A lot more than you hope he's aware of.)

"Let me buy you a beer", he says, and for once, he sounds serious.

The memory of yesterday night flashes before your eyes, of those same words at the bar. With him so close, way too close - with that grin and that stubble and that voice and those shoulders. You cross your arms and stare at him.

"If you're livestreaming this, I'm gonna sue your ass so hard."

He just lets out a chuckle and raises his hands in surrender.

"Cameras are off, I swear."

You stare at him for another silent ten or so seconds. At him in that fucking truck that looks just a little too good in your pictures. At him and his fucking face. That fucking face that you certainly wouldn't mind sitting on, if just to shut him up.

God, he's asking you to drink something with him. He's asking to buy you something to drink with him. You're stupid.

You're so, so stupid.

"Alright, cowboy", you say, uncrossing your arms and reaching for the handle of your car door. "I'll humour you."

...

You're in the bar again by nine that night, the same way you had been the day before. You're wearing a different dress and there's a different bartender, but you've ordered the same mojito and chosen the same place to sit.

Only this time, you're actively watching the door. And when Tyler strolls in, you've got to shift around in your seat and cross your legs. You don't even pretend you're not staring. You just ogle him openly. Not for the first time ever - you'd checked him out very obviously when he'd strutted towards you to introduce himself three months ago - but definitely for the first time in a while. And god yeah, he's a hunk of a man, alright. If you had your camera here right now...

But you don't. So instead, you drop your eyes to his feet (brown leather boots), drag them up his legs (blue jeans), over his chest (red checkered flannel), over his face (god, what you wouldn't give-) and finally rest them on the cowboy hat on top of his head.

When he's close enough to hear you, already grinning, of course, probably at how you're actually sitting there in the same spot as yesterday and hadn't just lied to his face about coming here, you raise your eyebrows at him.

"A cowboy hat?", you ask, your voice as unbothered as you can possibly manage (even though you're very, very, very much bothered right now). His grin only widens.

"Ladies love country boys", he drawls with a shrug.

"Now that's straight out of a song", you say. "You're getting lazy, Owens."

"A song?", he asks. "No, that's an Owens Original."

You pull your eyebrows even further up.

"Ladies love country boys? Trace Adkins?"

"Nope. Not familiar."

But his grin tells you that he's lying. He's a liar. He knows very well where he got that line from. And he knows just how easily he got under your skin with his simple trick. As if his face isn't enough already.

You just shake your head and turn away from him.

"Put your money where your mouth is, Owens. Buy me a beer."

...

Tyler Owens is the most annoying man you've ever met. But he's also a great conversationalist.

The hours fly by as you're talking. One beer turns into two, then into an uncountable number of soft drinks. You both agree that you need to drive home, neither of you is willing to risk a run-in with the police. You need your drivers license for your jobs.

Tyler talks to you about the pictures you've taken today, then about the pictures from last week. He laughs when you blame him for ruining half of them and almost spits out his coke when you slap his arm for laughing at you. He tells you about his crew, about the people they've helped with the money from their dumb t-shirt sales. You think you hate him less by the minute. You're not sure if you're okay with that. But he gets you talking about your childhood and your parents, about school and college and about how you've wound back up here in Oklahoma. That effectively distracts you.

That, and how his cocky grin morphs into a genuine smile the more you open up.

Not that you didn't love the cocky grin. You did, just a bit. As obnoxious as it was. But the way he smiles at you all sweet has you melting right in your spot.

It's not the first time you realise that beneath all that rough exterior, there beats a heart of gold. You've known what those t-shirt sales are for, that he offers food and water after a tornado hits a town, that he carries the injured out of the ruins of their houses and helps find lost dogs. The more you've been around him in the past weeks, the more you've seen of his soft side. Of the way he cares and supports. But in the end, it always is easier to go back to the status quo - to fall back onto mindless snark and fleeting first impressions.

You'd clung so desperately to the image of him as this arrogant, smug, holier-than-thou influencer god for the sole purpose of keeping your own sanity. Because you'd known that without despising him, you would fall head over heels for Tyler Owens, and you just couldn't have that.

But now, with his arm brushing against yours and his hat discarded on the bar top and his smile, that beautiful, beautiful smile on his lips...

"Five bucks", he drawls, already reaching for his wallet.

"What?"

"Five bucks says there won't be a tornado tomorrow."

You raise your eyebrows at him, your glass hovering in mid-air between the two of you. You'd meant to take a sip, but now you're setting it right back down on the bar top.

"You're shitting me."

Tyler just shakes his head. He's grinning again, but it's much softer this time around.

"The winds are looking great. The forecast says it's gonna be the best conditions for tornadoes we've seen in the last six weeks. I've heard Dexter talk about how we're probably gonna see an EF4 tomorrow", you tell him, even though you're sure he's well aware of all of it. This is Tyler Owens, for god's sake. He knows about the winds and the forecasts. He knows that his crew is making preparations already.

His grin only grows. And it's smug now. It's cocky now. It's everything you thought you'd left behind during this conversation. He looks like the Tornado Wrangler again, like the guy who fucks up your pictures and makes your job harder than it already is.

It takes you a second too long to realise why.

"Dexter said that on our live", he grins, as if he can't quite believe what he's hearing. You physically recoil from him. "Do you watch our streams, weather girl?"

"No", you breathe, rigid and frozen, shocked to your very core. No, no, no, no, this cannot be happening. This cannot be happening. You'd... You hadn't made that mistake. He hadn't got you to make that mistake.

"Dexter talked about tomorrow on our live", Tyler says again, straightening his back and grinning down at you like he's just uncovered the lost grave of Cleopatra. "Only on the live. You watched our stream."

"No", you mutter, your eyes wide and your mouth dry, so dry. You need to drink. You need to drink so badly. "No, I didn't."

"Yes, you did. You watched our stream, honey."

The petname runs down your spine and clogs your senses. Honey. Oh, he's an ass, he's an asshole! But you're on the spot, you're on the spot and he's calling you honey, honey, honey. You can't do anything but watch as he leans closer to you, grinning down at you like it's his one true purpose on this earth, like he wants to eat you alive.

"I'd say you watch our streams pretty regularly, weather girl."

You swallow hard and clasp your hand around your glass.

"Yeah?", you breathe, hoping against all hope that your voice sounds somewhat innocent. You're sure it doesn't. You know it doesn't. You probably sound as guilty as you are, but... Hope dies last. Hope always dies last. "Why would you say that?"

"Just a hunch." He shows off those pearly fucking whites for you. "Call it an instinct. I'm usually right."

He is.

He's right now. He's right usually.

Him and his fucking instinct. His goddamn gut feeling about tornadoes, always right all the fucking time. He's like an Oklahoma Jesus. The first coming of Tornado Christ.

Fuck him.

"I'll take your bet." You drain your glass at once. "Give me your five bucks, Owens."

You don't think it'll work. You don't think he'll let you distract him. You don't think it'll be this easy to stop his vile teasing. He's not the type of guy to let something go. He's not the type of guy to let anything go ever. But he looks at you and he grins at you and he trails his eyes over your face and then he opens up his wallet and pulls out five dollars without another word.

He puts the bill flat on the bar top.

But when you go to reach for it, he pushes his fingers down.

"The price just went up", he says.

You raise your eyebrows and let your hand sink again. Tyler is absolutely unpredictable. You should've known.

"The price just went up?", you repeat. He nods. "What more do you want to bet?"

He's closer now, closer all of a sudden. He's too close, close enough to make your breath hitch. He's looking down at you with that cocky, cheeky grin, with his weirdly green eyes, with his three day stubble and his generally much too symmetrical face. You can't do anything but look back up at him.

"A kiss", he says. Simple as that.

A kiss.

Tyler Owens is the most annoying man you've ever met. He is. Truly. He's annoying and way too full of himself and much too presumptuous. Tyler Owens is the only man who would ever do something like this. The only man who'd bet a kiss on whether or not there will be tornadoes tomorrow.

Especially with that forecast.

The one that says a tornado is basically inevitable.

"Alright", you say. He may be Tyler Owens, the guy with an infallible instinct - but he is also Tyler Owens, the guy who's been doing his hardest to get under your skin. This time might not be any different. For all you know, he's bluffing to rile you up. "I'm in."

...

At eleven the next day, you're standing next to Dexter in resigned silence.

"I really thought today was gonna pan out", you mutter.

"It should have", Dexter frowns, tapping against the screen in his hands. "It should have worked out. The conditions should have been perfect. Everything's been building the last few days."

"But it collapsed this morning."

You turn your head and watch as Tyler comes to a stand next to you, arms crossed, eyes locked on the clear sky up above. He tilts his head to you and grins. Fuck, he's wearing his goddamn hat again. It's like he doesn't even try to be normal.

"Hey, weather girl", he greets. "Ready to cash out your bet?"

You shake your head at him. No, you're not giving up this easily. You never give up this easily.

"The day's not over yet, Owens. You haven't won 'til midnight."

...

You spend most of the next hours sitting in your truck bed, reading a book you'd thrown into your backseat weeks ago and had so far neglected. Lilly hands you lunch around two, Dani offers you a coffee around five and Boone pipes up here and there to joke about the wasted day. Around six, Dexter comes by to let you know they're calling it.

You still have another hour to go. By seven, it'll be too late to send your pictures anyway. But you want the hour. You need the hour.

You still haven't decided what to do about Tyler. About Tyler and his fucking bet.

He's been loitering the whole day, walking by, joking around with his crew, livestreaming a spontaneous q&a just because.

And the more minutes tick by, the harder it is to keep ignoring that you've most definitely lost the bet. Even though you do your best. You read, you check your phone. You stare at your radar. You stare at the weather forecast. You talk to Dexter and Dani and Lilly and Boone. You take a few pictures of the sky. Then you take a few pictures of Tyler, standing some feet away from his truck and looking out at the clouds.

It's only when two of three Tornado Wranglers cars are disappearing down the road, when Tyler Owens suddenly stands in front of your truck bed, that you put down your book and face reality.

"No tornadoes in sight", he says, instead of 'Hello' or 'How are you' like any other person would.

"There's still six hours left", you reason. Even if only one of those is relevant for your job today.

"You really want to wait out six hours to prove I'm right?"

"You're not right", you argue. It's fruitless, it's stupid, it's unreasonable. But... "Not yet, anyway."

Tyler raises his eyebrows at you, lets out an amused chuckle and leans against the side of your truck bed.

"Alright, so we wait."

You eye him from the side. He's fucking leaning against your truck, staring out at the sky, talking about six hours. Goddamn. He can't be serious, can he? His crew is already gone. They've disappeared into the descending sun and he's talking about waiting another six hours. Leaned against your car.

"Fuck's sake, Owens", you sigh, scooching over to the right. "At least sit down then."

You don't talk much at first. You just open your book back up again and try your hardest to ignore that he's even here at all, barely two feet away from you on the other side of your truck bed. If you stretched your leg, you'd hit him right in the hip.

It makes reading close to impossible.

Even though he's not doing anything at all. He's just sitting there, one arm propped up on the side board, that goddamn cowboy hat on his head and his feet hanging off the opened tailgate. It's almost worse that he's not doing anything.

That he's just sitting there and watching the sky change.

You give up on reading entirely when you realise that you've finished exactly five pages in half an hour. Instead, you put your book back in the car, pull out your bluetooth speaker and two water bottles and offer Tyler one of them.

You don't even ask him what music he wants to listen to. You just put on your country playlist and roll with it. By the twitch of his lips, you know he certainly doesn't mind.

Another half hour later, it's starting to get chilly and you're beginning to grow bored of the music. Tyler sitting next to you makes you fidgety, somehow, and you can't really enjoy the songs you usually love so much. So you switch to a podcast. You don't ask Tyler if he minds. He's free to go anytime.

Around eight, the sun starts to set, and the chill turns into an unpleasant cool. You hadn't really expected to be sitting out here so long. You're not prepared for the temperature to drop. You're wearing shorts, for god's sake, shorts and a top. It's summer in Oklahoma - you don't know how Tyler even manages to survive in his long jeans. You certainly wouldn't.

But now you're a little jealous, to be honest. He doesn't look cold in the slightest while you're fighting off shivers. You can feel your hands trembling already.

You really should've brought a jacket. But who brings jackets in 30 degree summer weather?

So instead, you just resign yourself to your fate and rub your hands along your arms. Anything to get some warmth into your body.

For the first time since you've sat back down, Tyler turns his head and looks at you.

"You're cold", he says, eyes raking over your arms and the goosebumps you'd gotten.

"Great observational skills, Sherlock Holmes", you deadpan, even though he doesn't really deserve that. He had so far left you pretty much alone. "A+ on that assignment."

Well, it's hard to break bad habits.

Tyler just chuckles, shakes his head and pushes off of the truck bed. You watch, eyes narrowed, as he walks back to his own car, opens up the trunk and- pulls out a blanket?

Your hands have sunken down to your lap all by themselves by the time he's standing in front of you again, holding out the blanket.

"For you, Watson", he grins as you slowly, carefully take the blanket from him. You mutter something along the lines of a soft 'Thank you' before you wrap the blanket around your arms.

Tyler Owens is the most annoying man you've ever met. But he's also the very definition of "Tough on the outside, soft on the inside". Sometimes, you think the word 'angelic' works for more than just his divine looks.

Your eyes are glued to him as he sits back down next to you and looks out at the darkening sky with that signature grin on his lips, like he knows that you're watching him and enjoys it more than he should. That doesn't deter you though. For the very first time. You don't even stop staring when he turns his head back to you. You don't even stop staring then.

You just look at him until his grin crumbles. Until he's smiling that smile from yesterday night, the one that has your heart squeezing together and then exploding in your chest. You think you could stare at that smile for the rest of eternity and never feel sated.

"What?", he asks, his voice so soft it makes you swallow. Your lips part, but there's no words on your tongue, none in your throat. They're stuck in your chest somewhere, wrapped around your heart so tightly that you can't let them go even now. So you just press your lips together, wrap your blanket tighter around yourself and say:

"So I'm Watson, yeah?"

Your podcast is long forgotten by the time the sky turns dark. So dark that you make Tyler climb into your car and turn on the lights. You're comfortable in your blanket, you don't feel the need to move.

It's around ten when the blanket isn't enough anymore.

You tuck your hands underneath your top, but that only helps for so long. A few minutes later, you're trembling again, trembling even though you're pulling the blanket as tightly around you as you possibly can. Tyler raises his eyebrows when a particularly heavy shiver runs down your spine, one of those that come and go within three seconds.

"Come here", he says, shuffling in his spot and motioning for you to move over to him. You don't really think about it. It's more of a reflex as you fumble the blanket off of your body, scooch over to him, settle yourself against his side and sneak your feet under his thigh. He tugs the blanket back up to your chin, tucks it in behind your back and wraps his arms around you.

Tyler Owens wraps his arms around you.

And he's so fucking warm you literally almost moan. God, you hadn't actually realised just how cold you'd been.

"Damn, you're freezing", he notes as well, just as you nestle further into him and hum in agreement. He's like a living heater right now. You'd like to just crawl inside of him and suck up all his warmth. "You should've told me sooner."

"I didn't tell you at all", you mutter, closing your eyes and taking a deep breath. He smells good. He smells so good. Earthy, musky somehow. You're tempted to turn your head and bury your nose in his shoulder.

Instead, you just satisfy yourself with what you can get. Fuck, he smells so good. He smells just like you'd thought he would, like country and rodeo and thunderstorms. He smells like falling into bed at the end of a successful chase. He smells like more. You want more.

You want more of Tyler Owens.

"Are you sniffing me?", he asks suddenly, but he sounds so amused you can't even bring yourself to feel embarrassed. You just open your eyes and grin at him, tilting your head so you can look up at him.

"What if I am?", you ask, if only to hear that breathless chuckle fall from his lips. Oh, those lips. You're in trouble. "Are you gonna call the cops on me?"

"I could never."

"Yeah, you better not, cowboy", you mutter, eyes dropping to his lips when he grins. He's so close. He's way too close. "There's like thirty things I could call the cops about on your channel."

His grin grows until he's showing off his teeth, glinting against the low light of the leds in your car. He's closer now.

"So you do watch our streams, weather girl."

His voice is so low and he's so close, so close. Your lips part all on their own. You haven't looked back up at his eyes in too long. Far too long. But he's so close, and he's so warm, and he smells so good.

"Alright", you whisper. His mouth is barely an inch from yours. You can feel every breath he takes. "I watch your streams."

And then your lips are on his.

Tyler Owens is the most annoying man you've ever met. He's cocky and he's smug. He makes your job harder than it has to be. He does everything and anything to get under your skin. But Tyler Ownes is the best goddamn kisser this side of the globe.

He trails his hands, his big, big hands, down your sides, pushes the blanket out of the way and grabs at your waist with just enough firmness. He pulls you onto his lap and rests his thumbs over the hem of your top. He breathes into your mouth and takes it slow. He doesn't care that you almost knock his hat out of the way when you try to wrap your arms around his neck. He just holds you tightly to him and lets you tug on his lip.

You honestly don't know how much time has passed when he pulls back, grinning an entirely new grin at you, hazy and euphoric.

"It's not midnight yet", he mutters, the slightest bit out of breath.

"I don't care", you mumble, drawing him right back in for another kiss. You think you might be addicted. You simply can't get enough of him. You can't get enough of Tyler Owens.

But then a thought strikes you, and you pull away with a grin that makes him raise his eyebrows.

You chuckle against his lips.

"If you feel it, chase it, right?"

#twisters #twisters 2024 #tyler owens #tyler owens x reader #tyler owens twisters #x reader

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